Sökning: "classical music"
Visar resultat 16 - 20 av 38 avhandlingar innehållade orden classical music.
16. Brev från den autonoma musikens värld : Den diskursiva konstruktionen av musikalisk autonomi i den samtida klassiska CD-skivan
Sammanfattning : The purpose of the present thesis is to demonstrate in detail and by concrete example the construction of music as autonomous. It studies how the basic categories constituting the discourse of musical autonomy get reproduced in commercialized and mass-produced and at the same time institutionally authorized texts. LÄS MER
17. Persian Writing on Music : A study of Persian musical literature from 1000 to 1500 AD
Sammanfattning : This dissertation is an attempt to understand and map the development of Persian writings on music, focusing on their various approaches and variations of topics from the beginning of the 11th century to the end of the 15th century which can be called the classical period of Persian writing on music. The rise of Persian musical literature as a part of Persian learned literature was a result of the political and cultural decentralization of the Abbasid Caliphate. LÄS MER
18. Dis/harmoni : (Re)konstruktionen av högre musikerutbildning i klassisk musik
Sammanfattning : This compilation thesis is positioned as a critical discourse study on higher music education in Sweden. The overall aim is to critically examine and explain how higher music performance education with a classical musicstudy orientation is discursively (re)constructed. LÄS MER
19. Growth and Mechanical Properties of Transition Metal Nitrides and Carbides
Sammanfattning : The atomic-scale dynamical processes at play during film growth cannot be resolved by even the most advanced experimental methods. As such, computational methods, and chiefly classical molecular dynamics, are the only available research tools to study these processes. LÄS MER
20. A Quantitative Rule System for Musical Performance
Sammanfattning : A rule system is described that translates an input score file to a musical performance. The rules model different principles of interpretation used by real musicians, such as phrasing, punctuation, harmonic and melodic structure, micro timing, accents, intonation, and final ritard. LÄS MER