Sökning: "Jacob Derkert"

Visar resultat 1 - 5 av 8 avhandlingar innehållade orden Jacob Derkert.

1. 1. Tonalitet och harmonisk artikulation i Claude Debussys verk : Om reception, harmonikteori och analys

   Författare :Jacob Derkert; Tore Eriksson; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Music; Musikvetenskap; Musicology; musikvetenskap;

   Sammanfattning : This dissertation is a study of ways to analyze some harmonic features of the music of Claude Debussy. It begins with a critical survey of the discussion of tonality and dissolution of tonality in Debussy's works, as it did manifest itself in contemporary French criticism and in the Germanspeaking countries after World War I. LÄS MER

3. 2. Étude comparative des approches créatrices et technologiques au Groupe de Recherches Musicales à Paris et à l’Elektronmusikstudion à Stockholm 1965-1980 : Deux directions artistiques différentes à partir d’une idée commune

   Författare :Elif Balkir; Jacob Derkert; Marc Battier; Bruno Bossis; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Pierre Schaeffer; Knut Wiggen; Groupe de Recherches Musicales; Elektronmusikstudion; Lasse Thoresen; Aural Sonology; electroacoustic music; acousmatic music; music concrète; text-sound; tripartition; poietic level; neutral level; typo-morphology; Gestalt; Pierre Schaeffer; Knut Wiggen; Groupe de Recherches Musicales; Elektronmusikstudion; Lasse Thoresen; Aural Sonology; musique électroacoustique; musique acousmatique; musique concrète; tripartition; text-sound; niveau poïétique; niveau neutre; typo-morphologie; Gestalt; Musicology; musikvetenskap;

   Sammanfattning : La thèse en question trace un parcours comparatif sur les approches créatrices et technologiques qui ont été développées au GRM (Groupe de Recherches Musicales) et à l’EMS (Elektronmusikstudion) de 1965 à 1980. Cette recherche vise à étudier les interactions principales entre les concepts musicaux des pionniers des musiques électroacoustiques en France et en Suède, Pierre Schaeffer et Knut Wiggen et l’évolution des directions artistiques au sein de leur institutions. LÄS MER

4. 3. Karl-Birger Blomdahl et Ingvar Lidholm: Enjeux mélodiques, tonals et organiques des années 1940

   Författare :Cécile Bardoux Lovén; Jacob Derkert; Nicolas Meeùs; Pascal Decroupet; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Sweden; Blomdahl; Lidholm; Monday Group; the 1940s; melody; linearity; tonality; organicism; Jeppesen; Hindemith; Kurth; Schenker; Meyer; Rosenberg; anti-romanticism; absolute music; Musicology; musikvetenskap;

   Sammanfattning : Karl-Birger Blomdahl (1916-1968) and Ingvar Lidholm (1921- ) were two leading figures in modern Swedish music. While studying in Stockholm they created a study circle known as the Monday Group. Regarded as anti-romanticists, Blomdahl and Lidholm revitalized musical creation by prioritizing compositional technique (as in hantverk, i.e. LÄS MER

5. 4. Stroke Darkly the Strings : On Paul Celan and Music

   Författare :Axel Englund; Anders Olsson; Jacob Derkert; Martin Zenck; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Paul Celan; music; poetry; intermediality; metaphor; modernism; Jörg Birkenkötter; Harrison Birtwistle; György Kurtág; Erhard Karkoschka; Tilo Medek; Aribert Reimann; Wolfgang Rihm; Peter Ruzicka; Literature; Litteraturvetenskap; Literature; litteraturvetenskap;

   Sammanfattning : The aim of this study is to disclose the oeuvre of the German-Romanian Holocaust survivor Paul Celan as a site of problematic yet productive encounters between poetry and music. It addresses, on the one hand, music as a thematic and structural element in Celan’s poetry and, on the other hand, contemporary musical works interacting with this poetry. LÄS MER

7. 5. Encounters Between Music and Nature : A Productive and Transversal Approach to Contemporary Music Analysis

   Författare :Elin Kanhov; Johanna Ethnersson Pontara; Jacob Derkert; Frida Beckman; Edward Campbell; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; contemporary Western art music; nature; Deleuze and Guattari; posthumanism; new materialism; ecomusicology; music analysis; Musicology; musikvetenskap;

   Sammanfattning : This thesis examines encounters between music and nature through a productive and transversal approach to music analysis with examples from the contemporary Western art music repertoire. In three analytical chapters, I study how contemporary music potentially reframes the positions and relations between music, humans and nature by engaging with transversal concepts from Gilles Deleuze and Félix Guattari’s thinking and drawing upon Judy Lochhead’s approach to productive music analysis. LÄS MER