Sökning: "midi"
Visar resultat 1 - 5 av 6 avhandlingar innehållade ordet midi.
1. A Quantitative Rule System for Musical Performance
Sammanfattning : A rule system is described that translates an input score file to a musical performance. The rules model different principles of interpretation used by real musicians, such as phrasing, punctuation, harmonic and melodic structure, micro timing, accents, intonation, and final ritard. LÄS MER
2. Strövtåg i komponerandets landskap : tre studier av komponerande med hjälp av dator och musikteknologi
Sammanfattning : The purpose of the thesis is to make visible and to give an insight in composing processes leading up to new music compositions. The overarching purpose was to study how men and women composed music with the aid of computers and music technology, and how they talked about their composing. The thesis is divided into three parts. LÄS MER
3. Shape and Being Shaped : Sketching with Haptics in Soma Design
Sammanfattning : Sketching is an integral part of the design process, and it often occurs in the early ideation phase where the focus is on expressing ideas, thoughts, and emotions, allowing them to take shape and making it possible to share them with others to propel the design process forwards. In principle, sketching is a process of externalising thoughts into visualisations, and it influences the creator and collaborators by enabling them to realise and reflect on the possibility and viability of their ideas and develop them further by adding to or subtracting from the sketches. LÄS MER
4. ”Jag kan göra hundra låtar”. Barns musikskapande med digitala verktyg
Sammanfattning : Today’s children live in a world where music in all its different forms has become a significant factor in their everyday life. From earlier research we know that young children are able to create music by singing and using musical instruments. LÄS MER
5. 'A passable and good temperament': a new methodology for studying tuning and temperament in organ music
Sammanfattning : Playing Johann Sebastian Bach's organ chorale O Lamm Gottes, unschuldig (BWV 656) on an organ tuned according to a historic temperament raises questions about the role of temperament in organ music. From the interpreters point of view it would be desirable to be able to compare different temperaments effect on the music, and based on that draw conclusions about the temperaments role in the interpretative process. LÄS MER