Sökning: "Humanities Arts Musicology"

Visar resultat 16 - 20 av 216 avhandlingar innehållade orden Humanities Arts Musicology.

  1. 16. Interactive Music Composition

    Författare :Anders-Petter Andersson; Ola Stockfelt; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; HUMANIORA; HUMANITIES;

    Sammanfattning : This dissertation, titled Interactive Music Composition, is a practice based Ph.D. thesis in the field of Musicology. The purpose is to explore if and how one can compose computer based interactive music, that is musically satisfying for an interacting audience, consisting of both laymen and skilled musicians. LÄS MER

  3. 17. Museala och musikaliska föreställningar om historiska musikinstrument : En studie av Musikhistoriska museets verksamhet 1899–1918

    Författare :Madeleine Modin; Gunnar Ternhag; Dan Lundberg; Johannes Brusila; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; historical musical instruments; museums of music history; early music; historical concerts; collections of musical instruments; preservation; education; Bildung; vitalisation; revival; Stockholm; Sweden; Hovkapellet; Musikhistoriska museet; Musicology; musikvetenskap;

    Sammanfattning : The aim of this study is to elucidate the reasons and means to preserve and use historical musical instruments in a museum context more than a century ago. Advocates for historical instruments held ideological positions that were either close to musical perspectives, e.g. LÄS MER

  4. 18. "Svenska sinfoni-författares karaktäristiska orkester-egendomligheter" : aspekter på instrumentations-, orkestrerings- och satstekniken i Berwalds, Lindblads och Normans symfonier

    Författare :Owe Ander; Olle Edström; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Musicology; musikvetenskap;

    Sammanfattning : .... LÄS MER

  5. 19. Om att välja vad och hur : musiklärares samtal om val av undervisningsinnehåll i ensemble på gymnasiets estetiska program

    Författare :Karl Asp; Øivind Varkøy; Geir Johansen; Örebro universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; music education; upper secondary school; choices of teaching content; music teaching; music didactics; discursive psychology; Musikutbildning; musikdidaktik; gymnasieskolan; val av innehåll; musikdidaktik; diskurspsykologi; Musikvetenskap; Musicology;

    Sammanfattning : This study investigates how teachers of the subject ensemble in Swedish upper secondary school talk about their choices of subject content in light of their background as musicians and/or music teachers? According to current regulations and curricula (Läroplan för de frivilliga skolformerna, Lpf 94; Programmål för Estetiska programmet, ES 2000:05) the Swedish upper secondary school system can be described as goal-centered, which implies that the goals of the education are in focus and that methods and material to achieve those goals can show great variances. The aim of this study is to investigate how music teacher talk about their choices of content in relation to several background factors like music teacher education and experience and their experience as professional performers. LÄS MER

  7. 20. Étude comparative des approches créatrices et technologiques au Groupe de Recherches Musicales à Paris et à l’Elektronmusikstudion à Stockholm 1965-1980 : Deux directions artistiques différentes à partir d’une idée commune

    Författare :Elif Balkir; Jacob Derkert; Marc Battier; Bruno Bossis; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Pierre Schaeffer; Knut Wiggen; Groupe de Recherches Musicales; Elektronmusikstudion; Lasse Thoresen; Aural Sonology; electroacoustic music; acousmatic music; music concrète; text-sound; tripartition; poietic level; neutral level; typo-morphology; Gestalt; Pierre Schaeffer; Knut Wiggen; Groupe de Recherches Musicales; Elektronmusikstudion; Lasse Thoresen; Aural Sonology; musique électroacoustique; musique acousmatique; musique concrète; tripartition; text-sound; niveau poïétique; niveau neutre; typo-morphologie; Gestalt; Musicology; musikvetenskap;

    Sammanfattning : La thèse en question trace un parcours comparatif sur les approches créatrices et technologiques qui ont été développées au GRM (Groupe de Recherches Musicales) et à l’EMS (Elektronmusikstudion) de 1965 à 1980. Cette recherche vise à étudier les interactions principales entre les concepts musicaux des pionniers des musiques électroacoustiques en France et en Suède, Pierre Schaeffer et Knut Wiggen et l’évolution des directions artistiques au sein de leur institutions. LÄS MER