Sökning: "historical musical instruments"
Visar resultat 1 - 5 av 11 avhandlingar innehållade orden historical musical instruments.
1. Museala och musikaliska föreställningar om historiska musikinstrument : En studie av Musikhistoriska museets verksamhet 1899–1918
Sammanfattning : The aim of this study is to elucidate the reasons and means to preserve and use historical musical instruments in a museum context more than a century ago. Advocates for historical instruments held ideological positions that were either close to musical perspectives, e.g. LÄS MER
2. Ups and Downs, Violin Bowing as Gesture
Sammanfattning : This thesis is an inquiry into musical interpretation and performance. It builds on my practice as a professional baroque violinist. Qualitative analysis of the video documentation of my individual practise, rehearsals, and concert performances is the core method of the project. LÄS MER
3. ”Det är ur görandet tankarna föds” – från idé till komposition : En studie av kompositionsprocesser i högre musikutbildning
Sammanfattning : “Doing gives birth to ideas”. From ideas to composition: a study of composition processes in higher music education. Recent technological developments have challenged the historical methods of composing music for acoustical instruments using traditional scores. LÄS MER
4. Die Praxis der Orgelstimmung in Norddeutschland im 17. und 18. Jahrhundert und ihr Verhältnis zur zeitgenössischen Musikpraxis : The practice of organ tuning in North Germany in the seventeenth and eighteenth centuries and its relationship to contemporary musical practice
Sammanfattning : Ortgies, Ibo, Die Praxis der Orgelstimmung in Norddeutschland im 17. und 18. Jahrhundert und ihr Verhältnis zur zeitgenössischen Musikpraxis (The Practice of Organ Tuning in North Germany in the 17th and 18th Centuries and its Relationship to Contemporary Musical Practice). Ph. LÄS MER
5. 'A passable and good temperament': a new methodology for studying tuning and temperament in organ music
Sammanfattning : Playing Johann Sebastian Bach's organ chorale O Lamm Gottes, unschuldig (BWV 656) on an organ tuned according to a historic temperament raises questions about the role of temperament in organ music. From the interpreters point of view it would be desirable to be able to compare different temperaments effect on the music, and based on that draw conclusions about the temperaments role in the interpretative process. LÄS MER