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Visar resultat 16 - 20 av 47 avhandlingar som matchar ovanstående sökkriterier.
16. Släpp sångarna loss! : Genus, gestaltningsnormer och konstnärligt handlingsutrymme i opera
Sammanfattning : Abstract:My dissertation is taken from an opera singer’s perspective and the aim is three-fold: · to investigate and problematize how gender and performance norms are reproduced on the opera stage· to provide tools and propose approaches to transform gender perspective and norm critique into a creative artistic practice, enabling conscious and active artistic choices in relation to gender and performance norms· to explore ways to expand the singer's artistic agency. The artistic research project draws on knowledge from both my own practice as a professional opera singer and my collaborators’ experiences from the worlds of opera, classical music and theatre. LÄS MER
17. The Movement of a Musical Work : Ernst Krenek’s Opus 20 in the Interwar Years
Sammanfattning : The dissertation studies how one ‘modern’ piece of music from the early 20th century became conceptualised as an idealised musical work: the Third String Quartet, opus 20 (op. 20) by Austrian composer Ernst Krenek (1900–1991). LÄS MER
18. "...världens skridskotystnad före Bach" : historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach
Sammanfattning : The aim of the present study is to explore the so-called historically informed performance movement, which also is my own musical performance tradition, from a general perspective grounded in musical philosophy. The discussions concerning this performance tradition have been dominated by different subjects, such as musical works, authenticity, intention and interpretation. LÄS MER
19. X. Tre etyder över ett tema av Iannis Xenakis (1922 – 2001)
Sammanfattning : Ten years after his death, Iannis Xenakis (1922–2001) is generally acknowledged as one of the most influential composers of the recently past century, working in all genres of modern music – from acoustic to electronic, from strings to percussion, from solo pieces to orchestral works. He is also renowned for his spectacular audiovisual installations – from the Philips Pavilion at the 1958 World Exposition in Brussels, to the Diatope de Beaubourg conceived for the inauguration of the Centre Pompidou in 1978 – as well as for his architectural projects, both on a cosmic and a more quotidian scale. LÄS MER
20. Encounters Between Music and Nature : A Productive and Transversal Approach to Contemporary Music Analysis
Sammanfattning : This thesis examines encounters between music and nature through a productive and transversal approach to music analysis with examples from the contemporary Western art music repertoire. In three analytical chapters, I study how contemporary music potentially reframes the positions and relations between music, humans and nature by engaging with transversal concepts from Gilles Deleuze and Félix Guattari’s thinking and drawing upon Judy Lochhead’s approach to productive music analysis. LÄS MER
