Sökning: "sonata"

Visar resultat 1 - 5 av 7 avhandlingar innehållade ordet sonata.

  1. 1. "...världens skridskotystnad före Bach" : historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach

    Författare :Lena Weman Ericsson; Luleå tekniska universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Historically informed performance practice; contextual musical ontology; Johann Sebastian Bach; BWV 1035; authenticity; socio‐cultural context; social constructionism; musical work; intention; interpretation; flute; sonata; historiskt informerad uppförandepraxis; kontextuell musikontologi; Johann Sebastian Bach; BWV 1035; flöjt; musikverk; interpretation; socio-kulturell kontext; socialkonstruktionism; Musikalisk gestaltning; Musical Performance;

    Sammanfattning : The aim of the present study is to explore the so-called historically informed performance movement, which also is my own musical performance tradition, from a general perspective grounded in musical philosophy. The discussions concerning this performance tradition have been dominated by different subjects, such as musical works, authenticity, intention and interpretation. LÄS MER

  3. 2. Rich in Nuances: a Performance-Oriented Study of Otto Olsson’s Organ Music

    Författare :Sverker Jullander; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Sweden; organ music; harmonium music; organist; composer; Otto Olsson 1879–1964 ; performance practice; music analysis; counteroint; sonata form; etude; meditation; chorale; plainsong; musical symbolism; Orgelbewegung; sound recordings; late Romantic organs; registration; tempo; metronome markings; agogics; articulation; phrasing; slurs; ornamentation; Credo Symphoniacum;

    Sammanfattning : The dissertation deals with the organ music of Otto Olsson (1879–1964), a leading Swedish organist, church musician, composer, pedagogue, and organ expert in the first half of the 20th century. The aim of the study is to formulate a historical performance practice fro Olsson’s organ music, conceived within a late Romantic performance tradition, which must be regarded as lost. LÄS MER

  4. 3. Spökmaskinen : Sju förändringar och förflyttningar – gestaltningsprocesser i animerad film

    Författare :Nils Claesson; Göran Du Rées; Karin Hansson; Niclas Östlind; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; film; animation; stop motion; workstories; life stories; films; experimental art practice in animated film; literature; performance; transfigurations; politics of memory; the inverted Orpheus myth; Bergman; Strindberg; artistic research; improvisation; embodiment; Gestaltung-fiction; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : The Ghost Machine is a practice-based research project that explores the process of embodiment in animated film. It describes the process of transfiguration from the artist’s/auteur’s point of view and not from an outside position. LÄS MER

  5. 4. The mold of writing : style and structure in Strindberg's chamber plays

    Författare :Erik van Ooijen; Lars-Åke Skalin; Ola Holmgren; Örebro universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; August Strindberg; chamber play; literary form; writing; focus; ruin as form; simulation; speed; weed as form; Literature; Litteraturvetenskap; HUMANITIES and RELIGION; HUMANIORA och RELIGIONSVETENSKAP; Aesthetic subjects; Estetiska ämnen; Litteraturvetenskap; Literature;

    Sammanfattning : The thesis examines the five plays published by August Strindberg under the label of Chamber Plays: Stormy Weather, The Burned Lot, The Ghost Sonata, The Pelican (all 1907), and The Black Glove (1909). It takes its point of departure in a particular aspect of Strindberg’s way of writing as he actually describes it himself: during the act of deliberate composing, a productive fever tends to emerge bringing an element of chance to the work. LÄS MER

  7. 5. Det ulmer under overflaten. : Agathe Backer Grøndahl (1847-1907). Genus, sjanger og norskhet

    Författare :Camilla Hambro; Ola Stockfelt; Ingrid Holmquist; Ursula Geisler; Göteborgs universitet estetik och medier Institutionen för kultur; []
    Nyckelord :HUMANIORA; HUMANITIES; Agathe Backer Grøndahl. Music; gender and genius; femininity; mu¬sic histori¬cal knowledge and canonisation; gender and genre; gender and Nor¬we¬gian sound ; mu¬si¬cal analysis and performativity; Andante quasi allegretto ; Til mit Hjertes Dron¬ning ; Huldreslaat ; Nytaarsgry ; Mot Kveld .; Music; Musikvetenskap; Musicology; musikvetenskap;

    Sammanfattning : My dissertation is a problem oriented one. The composer pianist Agathe Bac­ker Grøn­dahl (1847–1907) has always been a self-evident figure in chapters of Nor­we­gian music history books that cover music, musicians and composers in "Grieg’s shadow". LÄS MER