Sökning: "contemporary Western art music"

Hittade 5 avhandlingar innehållade orden contemporary Western art music.

  1. 1. Organ improvisation : Activity, action and rhetorical practice

    Författare :Karin Johansson; Musikhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; Rhetorical practice; Cultural-historical activity theory; Higher music education; Western art music; Discursive practices; Organ improvisation;

    Sammanfattning : This thesis focuses on contemporary organ improvisation in Western European musical culture. The aim of the study is to explore organists’ descriptions, constructions and definitions of improvisation in words and music, with an interest in the interaction between receptivity, creativity and change. LÄS MER

  2. 2. HÉR! An Exploration of Artistic Agency

    Författare :Halla Steinunn Stefansdottir; Lärare (Musikhögskolan); []
    Nyckelord :HUMANIORA; HUMANITIES; music; sound art; agency; situated actions; ecological; enactive; post-phenomenology;

    Sammanfattning : This doctoral thesis is concerned with agency in the work of a performer, curator, and composer, and how these agencies are socio-culturally constructed. Grounded in creative practice as primary research methodology, the project builds on feedback loops between creation, analysis, and interpretation. LÄS MER

  3. 3. Encounters Between Music and Nature : A Productive and Transversal Approach to Contemporary Music Analysis

    Författare :Elin Kanhov; Johanna Ethnersson Pontara; Jacob Derkert; Frida Beckman; Edward Campbell; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; contemporary Western art music; nature; Deleuze and Guattari; posthumanism; new materialism; ecomusicology; music analysis; Musicology; musikvetenskap;

    Sammanfattning : This thesis examines encounters between music and nature through a productive and transversal approach to music analysis with examples from the contemporary Western art music repertoire. In three analytical chapters, I study how contemporary music potentially reframes the positions and relations between music, humans and nature by engaging with transversal concepts from Gilles Deleuze and Félix Guattari’s thinking and drawing upon Judy Lochhead’s approach to productive music analysis. LÄS MER

  4. 4. "...världens skridskotystnad före Bach" : historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach

    Författare :Lena Weman Ericsson; Luleå tekniska universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Historically informed performance practice; contextual musical ontology; Johann Sebastian Bach; BWV 1035; authenticity; socio‐cultural context; social constructionism; musical work; intention; interpretation; flute; sonata; historiskt informerad uppförandepraxis; kontextuell musikontologi; Johann Sebastian Bach; BWV 1035; flöjt; musikverk; interpretation; socio-kulturell kontext; socialkonstruktionism; Musikalisk gestaltning; Musical Performance;

    Sammanfattning : The aim of the present study is to explore the so-called historically informed performance movement, which also is my own musical performance tradition, from a general perspective grounded in musical philosophy. The discussions concerning this performance tradition have been dominated by different subjects, such as musical works, authenticity, intention and interpretation. LÄS MER

  5. 5. Figures of time : on the phenomenology of cinema and temporality

    Författare :Malin Wahlberg; Michael Renov; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER