Sökning: "Art Theory"

Visar resultat 11 - 15 av 476 avhandlingar innehållade orden Art Theory.

  1. 11. Historiska porträtt som kunskapskälla : Samlingar, arkiv och konsthistorieskrivning

    Författare :Charlotta Krispinsson; Jessica Sjöholm Skrubbe; Hans Hayden; Ludwig Qvarnström; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art historiography; portraiture; connoisseurship; iconography; physiognomy; reception history; national portrait collections; art museums; the Swedish Portrait Archive; history of concepts; the iconic turn; Germany; image science; konsthistorieskrivning; porträtt; kännarskap; ikonografi; fysiognomik; receptionshistoria; nationella porträttsamlingar; konstmuseer; Nationalmuseum; Svenska porträttarkivet; svensk porträttkonst; begreppshistoria; den ikoniska vändningen; Tyskland; konstvetenskap; konstvetenskap; Art History;

    Sammanfattning : This thesis is a study on the reception history of early modern portraiture, as expressed in Swedish as well as Nordic and German art historiography written 1880-1945. It focuses on the anthropological and anachronic aspects of the encounter between art historian and portrait, which is analysed according to theory on the agency of images. LÄS MER

  3. 12. The Art of Making Democratic Trouble : Four Art Events and Radical Democratic Theory

    Författare :Elín Hafsteinsdóttir; Cecilia Åse; Charlotte Fridolfsson; Jenny Gunnarsson Payne; Stockholms universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; radical democracy; art; event; space of conflict; agonistic democracy; discourse theory; post-structuralist theory; Chantal Mouffe; Aletta Norval; Sweden; the Netherlands; democratic subjectivity; political subject; politicization; Political Science; statsvetenskap;

    Sammanfattning : Heated debates and strong emotions occasionally arise in the public sphere in the wake of an art object. The interaction that follows becomes part of what we as citizens share in a democracy, with its particular conditions of political speech and democratic exchange. LÄS MER

  4. 13. Bilder av Förintelsen. Mening, minne, kompromettering

    Författare :Max Liljefors; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; Visual Studies; Visual Culture; Holocaust Representation; Holocaust Art; Holocaust Studies; Documentary Photography; Abject Art; NO!art; Monuments; Psychoanalytic Theory; Julia Kristeva; Jacques Lacan; Abjection; Sublimation; Sacrifice; Katharsis; Apocaly; Art history; Konsthistoria; Contemporary history since 1914 ; Nutidshistoria från 1914 ;

    Sammanfattning : This thesis examines the representation in visual culture of the Holocaust, the Nazi genocide of European Jewry. It is divided into three main parts, each one focusing on a particular aspect of Holocaust representation. LÄS MER

  5. 14. Konstnärsgillet : konstliv och föreningsväsende vid mitten av 1800-talet

    Författare :Lennart Pettersson; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Konstnärsgillet; Art life; Organisations; National art; Art market;

    Sammanfattning : The aim of this study is to present a biography of Konstnärsgillet, and relate the organisation to the so-called Associations that developed after the fall of l'ancien régime, when the middle classes entered the social arena. The heyday of the Associations took place during the period leading up to the rise of the mass organisations at the end of the 19th century. LÄS MER

  7. 15. The Art of Pleasing the Eye : Portraits by Nicolas de Largillierre and Spectatorship with Taste for Colour in the Early Eighteenth Century

    Författare :Roussina Roussinova; Margaretha Rossholm Lagerlöf; Sabrina Norlander Eliasson; Tomas Björk; Martin Olin; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; spectatorship; pleasure; meaning; body and mind; senses; illusion; imagination; touch; colour; attention; attraction; detail; display; portraiture; art theory; amateur; conversation; honnêteté; performativity; Nicolas de Largillierre; Roger de Piles; konstvetenskap; Art History;

    Sammanfattning : This study examines the interaction between portraits by the exponent of French colourist painting Nicolas de Largillierre (1656–1745) and elite spectatorship in the early eighteenth century as enactment of the idea of painting as an art of pleasing the eye. As developed in the theory of art of Roger de Piles (1635–1709), the idea of painting as an art of pleasing the eye coexisted with the classicist view, which in turn emphasised the potential of painting to communicate discursive meanings and hence to engage the mind. LÄS MER