Sökning: "fictional music"

Hittade 4 avhandlingar innehållade orden fictional music.

  1. 1. Teatermusikaliska ljudhändelser. Ett bidrag till studiet av musik och angränsande ljudobjekt i talteater och opera

    Författare :Frithjof Lund; Kognitionsvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; ”Trennung der Elemente“; illusions; fiction; communication; semiotics; cognition; perception; multimedial art-works; melodramas; musicals; epic music-theatre; opera; paralinguistic; speech-song; instrumental signals; sound effects; overtures; Zwischenaktsmusik; entr’actes; incidental music; fictional music; diegetic music; Theatre-music; functional music; music and emotions.; Dramatic art; Teatervetenskap; Musicology; Musikvetenskap;

    Sammanfattning : This dissertation focuses primarily on the following aspects concerning music in theatre: 1) its experienced peculiarity – ontologically grounded, 2) its sounding scope, and 3) its various kinds of functions. I argue that the difference between spoken theatre and opera is a question of degree rather than essence, and consider such an assertion being especially valid for the music of these genres. LÄS MER

  3. 2. An Operatic Game Changer: The Opera Maker as Game Designer and the Potentials of Ludo-Immersive Opera

    Författare :Hedvig Jalhed; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; artistic research; opera; interaction; immersion; performance; perception; game design; participation; spectatorship; aesthetics; Apollonian; Dionysian;

    Sammanfattning : How can live-performed chamber operas be conceptualized as immersive games with interactive features? This artistic study has resulted in a system model through which degrees of immersion may be generated and analyzed from physical, social, and psychical stimuli. A differentiation of immersive modes has been made possible by the framing of opera-making as game design. LÄS MER

  4. 3. Adaptive Robot Presenters : Modelling Grounding in Multimodal Interaction

    Författare :Agnes Axelsson; Gabriel Skantze; Johan Boye; Elisabeth André; KTH; []
    Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; NATURVETENSKAP; NATURAL SCIENCES; Human-robot interaction; Dialogue; Presentation; Museum; Grounding; Multimodal; Feedback; Classification; Knowledge graphs; KG; KG-to-text; WebNLG; System; Learning; Large Language Model; LLM; människa-robot-interaktion; hri; dialog; presentation; museum; grundning; multimodal; multimodalitet; återmatning; klassifikation; kunskapsgraf; kg; kg-till-text; data-tilltext; webnlg; system; inlärning; lärande. stor språkmodell; llm; Speech and Music Communication; Tal- och musikkommunikation;

    Sammanfattning : This thesis addresses the topic of grounding in human-robot interaction, that is, the process by which the human and robot can ensure mutual understanding. To explore this topic, the scenario of a robot holding a presentation to a human audience is used, where the robot has to process multimodal feedback from the human in order to adapt the presentation to the human's level of understanding. LÄS MER

  5. 4. Dekoloniseringskonst : Artivism i 2010-talets Sápmi

    Författare :Moa Sandström; Coppélie Cocq; Hans Sternudd; Martin Hultman; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; artivism; decolonization; Sámi art; Swedish colonialism; Indigenous movement; activism; social media; street art; artivism; dekolonisering; samisk konst; svensk kolonialism; urfolksrörelse; aktivism; sociala rörelser; sociala medier; gatukonst;

    Sammanfattning : During the 2010s, conceptual art took a prominent position in Sámi struggles for political and social change. Narratives about contemporary colonialism and decolonising alternative visions, conveyed through music, visual arts, performative acts, and poetry, engaged broad audiences and attracted widespread attention. LÄS MER