Sökning: "creative practice research"
Visar resultat 16 - 20 av 120 avhandlingar innehållade orden creative practice research.
16. Den nya stadens bibliotek : Om teknik, förnuft och känsla i gestaltningen av kunskaps- och upplevelsestadens folkbibliotek
Sammanfattning : This dissertation explores how perceived challenges and changing conditions for public libraries are translated and enacted in a local library setting. In 2008, Malmoe City Library, a public library situated in the third largest city of Sweden, initiated an ambitious strategy for renewal and change of their services. LÄS MER
17. Fashion-able. Hacktivism and engaged fashion design
Sammanfattning : This thesis consists of a series of extensive projects which aim to explore a new designer role for fashion. It is a role that experiments with how fashion can be reverse engineered, hacked, tuned and shared among many participants as a form of social activism. This social design practice can be called the hacktivism of fashion. LÄS MER
18. Konstruerandet av verkligheter: Gilles Deleuze, tänkande och arkitektur
Sammanfattning : The structure and situation of modern society is often characterised as being radically transformed. Philosophy has increasingly become a source for reorientation in architectural design practice and theory. LÄS MER
19. En resa från det ordlösa : en kartläggning av ett personligt yrkeskunnande
Sammanfattning : A Journey from the Wordless is a study of the development of the author’s own professional knowledge. After an introductory chapter on theory and method, there are four chapters treating of the author`s academic training as an artist (Ch. 2), a presentation and analysis of his own exhibitions (Ch. LÄS MER
20. “Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes
Sammanfattning : This music research drama thesis explores and presents a singer’s artistic research process from the first meeting with a musical score until the first steps of the performance on stage. The aim has been to define and formulate an understanding in sound as well as in words around the concept of pure voice in relation to the performance of 17th century vocal music from a 21st century singer’s practice-based perspective with reference to theories on nothingness, the role of the 17th century female singer, ornamentation (over-vocalization) and the singing of the nightingale. LÄS MER