Sökning: "craft research"

Visar resultat 1 - 5 av 78 avhandlingar innehållade orden craft research.

1. 1. Grasping Technology, Assessing Craft. Developing a Research Method for the Study of Craft-Tradition

   Författare :Ulla Isabel Zagal-Mach Wolfe; Arkeologi; []
   Nyckelord :HUMANIORA; HUMANITIES; Craft-tradition; craft; technology; habitus; object; sail; textile production; maritime technology; experimental archaeology; Migration and Vendel period; Scania;

   Sammanfattning : This thesis is concerned with the subject of craft and technology and the intricate connection between man, his objects and society. When archaeologists study social and cultural structures and phenomena, it is understood that the objects have been created and crafted by people, but the weight of this fact is not always recognized. LÄS MER

3. 2. Computer Science Project Courses : Contrasting Students’ Experiences with Teachers’ Expectations

   Författare :Mattias Wiggberg; Mats Daniels; Lecia J. Barker; Tony Clear; Uppsala universitet; []
   Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; computer science education; computer science student projects; computer science projects; computer science education research; phenomenography; learning; higher education; communities of practice; capstone projects; constructivism; Computer science; Datavetenskap; Datavetenskap med inriktning mot datavetenskapens didaktik; Computer Science with specialization in Computer Science Education Research;

   Sammanfattning : Including small or large project courses is widely recognized as important in preparing computer science students for a professional career. Typical examples are the capstone courses, which often are seen as the jewel in the crown since this is where students will bring their previous knowledge and skills together to show mastery of their craft. LÄS MER

4. 3. World Wide Workshop: The Craft of Noticing

   Författare :Nicolas Cheng; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Craft; Jewellery; Situated Making; Noticing; Care; Empathy; Postindustrial; World Wide Workshop;

   Sammanfattning : In my research, I consider craft as a discipline that is extremely elastic in terms of propositions and positions. Today craft exists in a highly dynamic space — what I will refer to as the World Wide Workshop — and is essential for noticing, caring, mending and negotiating the complex relationships that individuals and communities have with their sociopolitical, economic and natural environment. LÄS MER

5. 4. Crying Rya: A Practitioner’s Narrative Through Hand Weaving

   Författare :Emelie Röndahl; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; rya; hand weaving; crafts; time; two-sidedness; reflective practice; bodily knowledge; craft research; artistic research;

   Sammanfattning : This research project examines a repeated focus on time and slowness that I have experienced over years in connection with my hand-weaving practice using the Scandinavian technique of rya. Research through my own studio practice has led me to question a public image of weaving as time-consuming or slow and why temporality is attributed to the finished object, while I claim that it is only experienced in the making process. LÄS MER

7. 5. Vems hand är det som gör? : En systertext om konst/hantverk, klass, feminism och om viljan att ta strid

   Författare :Frida Hållander; Moa Matthis; Hanna Hallgren; Katarina Bonnevier; Konstfack; []
   Nyckelord :HUMANIORA; HUMANITIES; artistic research; craft; ceramics; textile; class; feminism; willfulness; autoethnography; together - making; artistic research; craft; ceramics; textile; class; feminism; willfulness; autoethnography; together-making;

   Sammanfattning : Whose hand is making? And how can we understand craft practices in dialogue with society through making and objects? How do we understand objects that manifest resistance? This dissertation in artistic research explores craft practices within the fields of ceramics and textile, through the method and form of autoethnography, and on the basis of an intersectional perspective. It understands making as embodied experience and knowledge, conditioned, but not always bounded, by societal structures, and it documents the resistance against, and the resilience of, repressive structures, in dialogues and struggles where objects gain agency. LÄS MER