Sökning: "artistic project methods"

Visar resultat 6 - 10 av 37 avhandlingar innehållade orden artistic project methods.

  1. 6. Spökmaskinen : Sju förändringar och förflyttningar – gestaltningsprocesser i animerad film

    Författare :Nils Claesson; Göran Du Rées; Karin Hansson; Niclas Östlind; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; film; animation; stop motion; workstories; life stories; films; experimental art practice in animated film; literature; performance; transfigurations; politics of memory; the inverted Orpheus myth; Bergman; Strindberg; artistic research; improvisation; embodiment; Gestaltung-fiction; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : The Ghost Machine is a practice-based research project that explores the process of embodiment in animated film. It describes the process of transfiguration from the artist’s/auteur’s point of view and not from an outside position. LÄS MER

  2. 7. Den kapitalistiska skådespelaren : Aktör eller leverantör?

    Författare :Ulf Friberg; Cecilia Lagerström; Sven-Eric Liedman; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; actor s craft. the individual actor; theatre leadership and organisation; actor and capitalism; theatre and the new public management; post-dramatic theatre; theatre in change; informal power; artistic research; actor’s craft; the individual actor; theatre leadership and organisation; actors and capitalism; theatre and new public management; postdramatic theatre; theatre in change; informal power; artistic research;

    Sammanfattning : The dissertation revolves around an actor’s craft as a changing craft. Theatre workers– like many other professions in Sweden – have experienced major changes in thelabour market during a relatively short period of time. LÄS MER

  3. 8. Omförhandlingar : Kropp, replik, etik

    Författare :Petra Fransson; Lärare (Teaterhögskolan); []
    Nyckelord :HUMANIORA; HUMANITIES; acting; body; theatrical line; ethics; action; feminist theatre; critical practice; speaking subject; ambiguity as method; performativity; artistic research; Elfriede Jelinek; Simone de Beauvoir; Julia Kristeva; Hanna Arendt; Virginia Woolf; Judith Butler; Gayatri Chakravorty Spivak; Sarah Ahmed;

    Sammanfattning : Renegotiations: Body, Line, Ethics departs from questions concerning authorship and agency for actors in institutionalised settings and moves towards a discussion on ethics, responsibility and possibilities in the body – text relationship. The question of how bodies can be renegotiated in and by the theatrical line is central to the work. LÄS MER

  4. 9. Tacit : A research journey into the methods, processes and knowledge of graphic designers

    Författare :Halldór Björn Halldórsson; Åsa Wikberg-Nilsson; Anders Warell; Johanna Lewengard; Sofie Beier; Luleå tekniska universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Design; Design;

    Sammanfattning : By exploring the potential effects of digitisation on graphic design methods, this thesis aims to highlight some of the tacit knowledge possessed by graphic designers and to show that this knowledge can both be externalised and made communicable. Beginning with an interview study where professional designers’ views were gathered and analysed, the work continued through a participatory study where designers’ knowledge was highlighted in a documented design project. LÄS MER

  5. 10. Levandegörandets poetik : På spaning efter musikdramat Gränsland och transformationen av dramat via text, vokalt och instrumentalt agerande

    Författare :Kerstin Perski; Kristina Hagström-Ståhl; Bengt Bok; Sten Sandell; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; opera; libretto; music and text; dramaturgy; music drama; cross-border methods; collaborative processes; reciprocal processes; sketches; phenomenological method; intentionality; common intentionality; emotional figured bass; the terrain map; physical poetry; vocal acting; instrumental acting; synergy; synesthetic connections; the transformation navigator; the third image; emotional gesticulation; emotional enrichment; I–Thou; I–It; opera; libretto; text; dramaturgi; musikdramatik; transformation; gränsöverskridande metoder; kollaborativa processer; reciproka processer; skisser; fenomenologisk metod; intentionalitet; gemensam intentionalitet; känslomässig generalbas; terrängkartan; fysikalisk poesi; vokalt agerande; instrumentalt agerande; synergi; synestetiska samband; transformationsvägvisare; den tredje bilden; emotionell gestikulation; emotionell anrikning; Jag–Du; Jag–Det; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : From the librettist’s perspective, the traditional working methods which tend to dominate in the creation of new music drama, often result in a situation where the initial intentions are lost along the way. How can we get away from a rigid methodology, where the different professionals involved in the creation of new music drama have to succumb to a procedure which can be likened to a whispering game? A procedure, where the dramatic content, rather than undergoing an emotional enrichment in its transformation into music, often loses the crucial connections to the initial intentions. LÄS MER