Sökning: "Russian cinema"

Hittade 5 avhandlingar innehållade orden Russian cinema.

  1. 1. The Petersburg Text of Russian Cinema in Perestroika and Post-Perestroika Eras

    Författare :Natalia Bratova; Ryska; []
    Nyckelord :HUMANIORA; HUMANITIES; The myth of the city; Petersburg myth; Petersburg text; carnivalisation; Russian cinema; perestroika cinema; city in cinema; Bakhtin; Toporov;

    Sammanfattning : In order to examine contemporary Russian cinema, this thesis has two points of departure: firstly the Petersburg myth, which is here defined as reversible or ambiguous since it includes both an eschatological and a cosmogonic aspect; and secondly, the Petersburg literary text as defined in works by Vladimir Toporov. During the twentieth century, the vitality and actuality of the Petersburg myth was questioned both in literature and in theoretical works. LÄS MER

  2. 2. Hamlet the Sign : Russian Translations of Hamlet and Literary Canon Formation

    Författare :Aleksei Semenenko; Lars Kleberg; Peter Alberg Jensen; Irena Makaryk; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Shakespeare; Hamlet; translation; literary canon formation; semiotics; canonicity; textuality; microcanon; genre; myth; sign; Slavic languages; Slaviska språk; slaviska språk; Slavic Languages;

    Sammanfattning : This work is an attempt to answer one simple question: What is Hamlet? Based on the material of Hamlet translations into Russian, the dissertation scrutinizes the problems of literary canon formation, translation and textuality proceeding in two parallel directions: the historical analysis of canon formation in translation and the conceptualization of Hamlet’s textuality. The methodological framework is defined in the context of Jurij Lotman’s semiotics of culture, which is invaluable for an understanding of the mechanisms of literary evolution, the theory of translation and literary canon formation. LÄS MER

  3. 3. Den glömde mannen : Erik "Hampe" Faustmans filmer

    Författare :Per Vesterlund; Maaret Koskinen; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Erik Faustman; Filmregissörer; Sverige; 1940-talet; 1950-talet; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation analyses the films of the Swedish film director and actor Erik "Hampe" Faustman (1919-1961). Faustman directed 20 films during the period 1943-1955. In the history of Swedish cinema, Faustman's role is that of the socially conscious spokesman for the working class. LÄS MER

  4. 4. Amerikanism, bolsjevism och korta kjolar : filmen och dess publik i Sverige under 1920-talet

    Författare :Mats Björkin; Lars Gustaf Andersson; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines the relation between discourses on Americanisation and the instituting processes of the film industry in Sweden during the 1920s. As the title indicates, Americanism, the threat of the Russian Revolution, as well as gender politics, are crucial for an understanding of the post-World War I period. LÄS MER

  5. 5. Krapula : Henry Parland och romanprojektet Sönder

    Författare :Per Stam; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Literature; Finland-Swedish Modernism; Quosego; Gunnar Björling; poetics; Russian Formalism; theory of prose; narratology; Marcel Proust; photography; film; Litteraturvetenskap; Literature; Litteraturvetenskap; Literature; Litteraturvetenskap;

    Sammanfattning : The subject of the dissertation is the work of Henry Parland (1908-1930) during the last two years of his life. The main focus is on the novel Broken. (about developing Velox paper) and some essays about film and poetics. LÄS MER