Sökning: "world cinema"

Visar resultat 1 - 5 av 16 avhandlingar innehållade orden world cinema.

  1. 1. In Real Life (Or Elsewhere) : om kreativa processer och parallella verkligheter i dokumentärfilm

    Författare :Kirsi Nevanti; Ylva Gislén; Holmquist PeÅ; Jonna Bornemark; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; ethics documentary film; situational understanding; authenticity; reality; parallel realities; creative processes; know thyself; Images and the Worlds of Being; A Shift Between Worlds; director; film team; world; in real life or elsewhere ; IRL; VR; Virtual Reality; AR; Augmented Reality; life as stage manager; reflections on space; journey; snippet of time; interpretation of reality; protagonist; cinema; cinematic means; universe; imagination; artistic research; presence of the camera; existence; the act of seeing; visual knowledge; intuition; practical knowledge; communication; fictional; gender bending; identity; visual art; vantage point; unreality; art; vision; photography; cinematography; sound design; editing; directing; life science; Performativa och mediala praktiker; Performative and media based practices;

    Sammanfattning : Reality isn’t what it appears to be. Contexts are not always clear and visible. People don’t always say what they really mean. And they don’t always mean what they say. LÄS MER

  3. 2. Blurring the Colonial Binary : Turn-of-the-Century Transnational Entertainment in Southeast Asia

    Författare :Nadi Tofighian; John Fullerton; Charles Musser; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; colonial history; early cinema; film history; distribution; transnational networks; entertainment culture; Southeast Asia; Singapore; postcolonial theory; colonial discourse; ethnicity; race; whiteness; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines and writes the early history of distribution and exhibition of moving images in Southeast Asia by observing the intersection of transnational itinerant entertainment and colonialism. It is a cultural history of turn-of-the-century Southeast Asia, and focuses on the movement of films, people, and amusements across oceans and national borders. LÄS MER

  4. 3. Darkness as Material

    Författare :Mia Engberg; Rebecca Hilton; Elisabeth Hjorth; Mara Lee; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; cinema; darkness; silence; darkness as material; the visual silence; experimental cinema; essay film; Marguerite Duras; Derek Jarman; Mia Engberg; Hypermoon; Secrets of the Sun; Belleville trilogy; film; mörker; tystnad; mörker som material; den visuella tystnaden; experimentell film; essä film; Belleville-trilogin; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Konstnärlig doktorsexamen i performativa och mediala praktiker med inriktning i film och media; Konstnärlig doktorsexamen i performativa och mediala praktiker med inriktning i film och media;

    Sammanfattning : The doctoral project Darkness as Material, examines darkness as material and its relationship to cinematic storytelling. The study addresses different kinds of darkness: darkness in the image, darkness in the cinema theatre, darkness in the spectator where films are received and the darkness in the filmmaker, where the world is reflected and ideas are born. LÄS MER

  5. 4. Haloed Objects on Mental Parade : Myth and Magic in Post-War Surrealist Cinema

    Författare :Kristoffer Noheden; Astrid Söderbergh Widding; Malin Wahlberg; Patricia Allmer; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; surrealism; André Breton; mythology; esotericism; intertextuality; intermediality; Wilhelm Freddie; Benjamin Péret; Nelly Kaplan; Jan Švankmajer; Gaston Bachelard; Walter Benjamin; primitivism; embodied experience; initiation; art history; Pierre Mabille; filmvetenskap; Cinema Studies;

    Sammanfattning : Following the end of World War II, the surrealist founder André Breton organized the exhibition Le Surréalisme en 1947. In conjunction with it, he announced a “change in direction” for surrealism, towards the search for a new myth, replete with magic. LÄS MER

  7. 5. Encuadres espaciales en la representación de las identitades étnico-culturales en La teta asustada, Zona Sur y Nosilatiaj. La Belleza

    Författare :Leticia Gómez; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; representation; identity; space; cinema; race; gender; indigenous; Latin America;

    Sammanfattning : This dissertation deals with the cinematographic representations of the interrelations between identity and space in a corpus conformed by three films: The Milk of Sorrow by Claudia Llosa (Peru, 2009); Southern District by Carlos Valdivia (Bolivia, 2009) and Beauty by Daniela Seggiaro (Argentina, 2012). The aim of the present work is to examine how ethnic-cultural identities –indigenous and ‘criolla’– are shaped in relation to the represented spaces: landscapes, houses, gardens and the courtyard. LÄS MER