Sökning: "cinematic means"

Visar resultat 1 - 5 av 7 avhandlingar innehållade orden cinematic means.

  1. 1. In Real Life (Or Elsewhere) : om kreativa processer och parallella verkligheter i dokumentärfilm

    Författare :Kirsi Nevanti; Ylva Gislén; Holmquist PeÅ; Jonna Bornemark; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; ethics documentary film; situational understanding; authenticity; reality; parallel realities; creative processes; know thyself; Images and the Worlds of Being; A Shift Between Worlds; director; film team; world; in real life or elsewhere ; IRL; VR; Virtual Reality; AR; Augmented Reality; life as stage manager; reflections on space; journey; snippet of time; interpretation of reality; protagonist; cinema; cinematic means; universe; imagination; artistic research; presence of the camera; existence; the act of seeing; visual knowledge; intuition; practical knowledge; communication; fictional; gender bending; identity; visual art; vantage point; unreality; art; vision; photography; cinematography; sound design; editing; directing; life science; Performativa och mediala praktiker; Performative and media based practices;

    Sammanfattning : Reality isn’t what it appears to be. Contexts are not always clear and visible. People don’t always say what they really mean. And they don’t always mean what they say. LÄS MER

  3. 2. Melankoliska fragment: om essäfilm och tänkande

    Författare :Patrik Eriksson; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; artistic research; essay film; filmmaking; artistic filmmaking practice; cinematic way of thinking; film as thinking; work story; reflection; melancholy; Robert Burton; Magnus Bärtås; Andrei Tarkovsky; E.M. Cioran; Hannah Arendt;

    Sammanfattning : This artistic doctoral dissertation comprises the essay film Melancholy Fragments (73 min.) and the book Melancholy Fragments: On Essay Film and Thinking. In making the film I wanted to explore if and how an artistic filmmaking practice works as thinking. LÄS MER

  4. 3. The Invisible Seen in French Cinema before 1917

    Författare :Marina Dahlquist; Frank Kessler; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; trickfilm; vetenskaplig film; fransk tidig film; Film; Filmvetenskap; filmvetenskap; Cinema Studies;

    Sammanfattning : Since the inception of cinema, an important strand of the medium has focused on itself, on what it depicts, and its indexical relation to the profilmic. Such concerns were most conspicuously put forward by the trick-film genre which bypassed conventional realism in its toying with the photographic image as well as cinematic movement. LÄS MER

  5. 4. Reproducing Languages, Translating Bodies : Approaches to Speech, Translation and Cultural Identity in Early European Sound Film

    Författare :Anna Sofia Rossholm; Jan Olsson; Thomas Elsaesser; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Sound Theory; Translation; Intermediality; Film Speech; European Cinema; Writing in Film; Stardom; Transition to Sound; Film and Theatre; Film; Filmvetenskap;

    Sammanfattning : This study discusses and analyses recorded/filmed speech, translation, and cultural identity in film discourses in early European sound film. The purpose is to frame these issues from a number of theoretical perspectives in order to highlight relations between media, speech and translation. The points of departure are 1. LÄS MER

  7. 5. Electronic Labyrinths : An Archaeology of Videographic Cinema

    Författare :Jonathan Rozenkrantz; Trond Lundemo; Malin Wahlberg; Patricia Pisters; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; videographic cinema; video images in films; media archaeology; imaginary media; media imaginaries; live television drama; video therapy; video surveillance; video art; reality TV; mediated memories; media history; YouTube; retro; analogue nostalgia; filmvetenskap; Cinema Studies;

    Sammanfattning : This study scans six decades of film history in search for video images, the imaginaries within which they are framed, and (taking cues from the archaeological methods of Friedrich Kittler and Michel Foucault) their technical, historical, and institutional conditions of existence. The British experimental science fiction film Anti-Clock (Jane Arden and Jack Bond, 1979) revolves around a video device with the capacity to confront subjects with their own repressed memory images. LÄS MER