Sökning: "literal"
Visar resultat 6 - 10 av 39 avhandlingar innehållade ordet literal.
6. La Bible traduite en français contemporain : forme, signification et sens
Sammanfattning : This dissertation analyses seven modern Bible translations in French with respect to their renderings of Koine Greek participles. The sample consists of the Passion Story from the four Gospels (Matt 26-28, Mark 14-16, Luke 22-24 and John 18-21), and is comprised of 603 Hellenistic participles in all. LÄS MER
7. La Bible traduite en français contemporain : étude des équivalents du participe grec dans sept traductions du récit de la passion dans les quatre évangiles : forme, signification et sens
Sammanfattning : This dissertation analyses seven modern Bible translations in French with respect to their renderings of Koine Greek participles. The sample consists of the Passion Story from the four Gospels (Matt 26-28, Mark 14-16, Luke 22-24 and John 18-21), and is comprised of 603 Hellenistic participles in all. LÄS MER
8. Pragmatic ability in children with early onset brain damage and children with pragmatic language impairnent
Sammanfattning : The general purpose was to study pragmatically related abilities in children with early-onset brain damage, i.e. children with cerebral palsy (CP) and children with spina bifida and hydrocephalus (SBH), and in a group of children with pragmatic language impairment (PLI). In study I and III children with CP, SBH and PLI were compared. LÄS MER
9. Rendering the Sublime : A Reading of Marina Tsvetaeva's Fairy-Tale Poem The Swain
Sammanfattning : The present study is a reading of the folkloric fairy-tale poem The Swain (Mólodets) (1924) by the Russian Modernist poet Marina Tsvetaeva (1892-1941).The poem represents a high point in Tsvetaeva’s experiments with Russian folk art, and it is thoroughly folkloric in its theme, forms of writing and poetic language. LÄS MER
10. An anagram of the ideas of filmmaker Maya Deren : creative work in motion pictures
Sammanfattning : Maya Deren’s corpus of work, which has been given various designations within the American avant-garde filmmaking practice of the 1940’s and 1950’s, will be analysed according to the biographical legend—an approach that focuses on authorship within the historical conditions of conception and reception. Influences on her theories in art and ethnography will be noted through several historical discourses: the French Symbolist Poets, Henri Bergson, Kurt Koffka, T. LÄS MER