Sökning: "studio crafts"

Hittade 4 avhandlingar innehållade orden studio crafts.

  1. 1. Making Preciousness : Interaction Design Through Studio Crafts

    Författare :Vasiliki Tsaknaki; Ylva Fernaeus; Ron Wakkary; KTH; []
    Nyckelord :Interaction design; materials; making preciousness; studio crafts; resourceful composition; material sensuality; mattering artefacts; impermanence; incompleteness; imperfection; Human-computer Interaction; Människa-datorinteraktion;

    Sammanfattning : This dissertation explores value-creation in interaction design through practical collaborations with studio craftspersons. A focus is on the meaning of “preciousness” from a design perspective – what I refer to as Making Preciousness –  which highlights aspects of material properties, design processes, and the attitude to the design space. LÄS MER

  3. 2. Crying Rya: A Practitioner’s Narrative Through Hand Weaving

    Författare :Emelie Röndahl; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; rya; hand weaving; crafts; time; two-sidedness; reflective practice; bodily knowledge; craft research; artistic research;

    Sammanfattning : This research project examines a repeated focus on time and slowness that I have experienced over years in connection with my hand-weaving practice using the Scandinavian technique of rya. Research through my own studio practice has led me to question a public image of weaving as time-consuming or slow and why temporality is attributed to the finished object, while I claim that it is only experienced in the making process. LÄS MER

  4. 3. Barbro Östlihn och New York : Konstens rum och möjligheter

    Författare :Annika Öhrner; Hans Hayden; Jan von Bonsdorff; Marta Edling; Maria Hirvi-Ijäs; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Barbro Östlihn; post war art history; American post war art history; Swedish art history; pop art; feminism; painting; photography; avantgarde; neo-avantgarde; Moderna Museet; Konstfack School of Arts Crafts and Design; The Royal Academy of Art; Aspect 61; Pentacle; art criticism; New York; urban renewal; Öyvind Fahlström; Roy Lichtenstein; Robert Rauschenberg; Jasper Johns; Billy Klüver; Donald Judd; Barbara Rose; Dore Ashton; Pontus Hultén; NUNSKU; Manhattan Urban Renewal; Pierre Bourdieu; Michel Foucault.; Barbro Östlihn; post World War II Art History; American post World War II art; Swedish Art History; pop art; feminism; painting; photography; avantgarde; neo-avantgarde; Moderna Museet; Konstfack School of Arts Crafts and Design; The Royal Academy of Art; Aspect 61; Pentacle; art criticism; New York; urban renewal; Öyvind Fahlström; Roy Lichtenstein; Robert Rauschenberg; Jasper Johns; Billy Klüver; Donald Judd; Barbara Rose; Dore Ashton; Pontus Hultén; NUNSKU; Manhattan Urban Renewal; Pierre Bourdieu; Michel Foucault.; Art; Konstvetenskap; Konstvetenskap; History of Art;

    Sammanfattning : The study analyses the American neo-avantgarde as well as the narratives of Swedish post World War II art history, through a specific subject position. The Swedish painter Barbro Östlihn (1930-1995) lived in New York from 1961, where her work was exhibited and received on a new art scene. LÄS MER

  5. 4. World Wide Workshop: The Craft of Noticing

    Författare :Nicolas Cheng; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Craft; Jewellery; Situated Making; Noticing; Care; Empathy; Postindustrial; World Wide Workshop;

    Sammanfattning : In my research, I consider craft as a discipline that is extremely elastic in terms of propositions and positions. Today craft exists in a highly dynamic space — what I will refer to as the World Wide Workshop — and is essential for noticing, caring, mending and negotiating the complex relationships that individuals and communities have with their sociopolitical, economic and natural environment. LÄS MER