Sökning: "perception of encounters"

Visar resultat 1 - 5 av 23 avhandlingar innehållade orden perception of encounters.

1. 1. Lärares möten med sociala medier : applikationer i behov av explikationer

   Författare :Niclas Ekberg; Per-Olof Erixon; Luleå tekniska universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Pedagogik; Education;

   Sammanfattning : The purpose of this dissertation has been set against the background of both existing research and teachers’ perceptions and experiences with the aim to clarify and better understand what constitutes the teacher’s encounter with social media in teaching. The theoretical starting point in hermeneutical phenomenology in accordance with Heidegger, Gadamer and Ricœur has brought with it not merely the resolve to describe the encounter’s context of meaning, but also the forward-looking striving to point out its possibilities. LÄS MER

3. 2. Sorgens avtryck : Erfarenheter av medverkan som sörjande i journalistik om brott och olyckor

   Författare :Anette Forsberg; Ester Pollack; Kristina Widestedt; Gunilla Jarlbro; Stockholms universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; mourners; grief journalism; source relations; journalism ethics; ethics of proximity; news values; narratives; journalistic strategies; sörjande; sorg; journalistik; källrelationer; journalistisk etik; närhetsetik; nyhetsvärde; narrativ; journalisters strategier; journalistik; Journalism; Journalistik;

   Sammanfattning : The aim of the thesis is to investigate the experiences of mourners of participating in news reports about grief in connection with crime and accidents. There are two overarching research questions. LÄS MER

4. 3. Shifting Gears : Automated Driving on the Eve of Autonomous Drive

   Författare :Christopher Martin; Avdelningen för etnologi; []
   Nyckelord :HUMANIORA; HUMANITIES; automation; driving; cars; practice; perception; embodiment; flow; space; skill; orientation; routine; technology;

   Sammanfattning : The compelling images and promises attached to autonomous drive vehicles can easily create an impression that one can speak of a radical distinction between a self-driving future and a manual-driving present. Yet today’s drivers can already refer to their everyday driving as being experienced as though on ‘auto-pilot’, in which they are able to drive their cars while lost in things such as daydreams, conversations, or plans for their day ahead. LÄS MER

5. 4. Emotions in service encounters from the perspectives of employees and customers

   Författare :Terje Slåtten; Bo Edvardsson; Veronica Liljander; Karlstads universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Emotions; service encounters; employees; customers; Business studies; Företagsekonomi; Business Administration; Företagsekonomi;

   Sammanfattning : The overall aim of this thesis is to contribute to deepening and extending our understanding and knowledge of emotions in service encounters by studying it from the two most central human actors in service encounter: (i) the service firm’s employees and (ii) the customer of this firm. This dissertation consist of five separate papers that conceptualize and empirically investigate how different appraisals by employees and customers generate positive and negative emotions, and how types of emotions in service encounters are linked to patterns of behavioural responses. LÄS MER

7. 5. An Operatic Game Changer: The Opera Maker as Game Designer and the Potentials of Ludo-Immersive Opera

   Författare :Hedvig Jalhed; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; artistic research; opera; interaction; immersion; performance; perception; game design; participation; spectatorship; aesthetics; Apollonian; Dionysian;

   Sammanfattning : How can live-performed chamber operas be conceptualized as immersive games with interactive features? This artistic study has resulted in a system model through which degrees of immersion may be generated and analyzed from physical, social, and psychical stimuli. A differentiation of immersive modes has been made possible by the framing of opera-making as game design. LÄS MER