Sökning: "material konst"

Visar resultat 11 - 15 av 316 avhandlingar innehållade orden material konst.

  1. 11. Orgelsång och psalmspel : Musikalisk gestaltning av församlingssång

    Författare :Per Högberg; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Musical performance; Congregational song; Interaction; Participation; Liturgy; Beauty; User perspective; Function; Tradition; Organ; Song; Horizontality and verticality; Musical performance;

    Sammanfattning : ABSTRACT Per Högberg: Organ Singing and Hymn Playing. Performing Congregational Song. The Lutheran church service tradition assigns important functions to the organ: in liturgical use, most of all as a leader, a source of inspiration, and a conversational partner in the congregation’s song. LÄS MER

  3. 12. Ett annat flickrum: Kön, ålder och sexualitet i Maria Lindbergs, Anna Maria Ekstrands och Helene Billgrens flickbilder

    Författare :Kajsa Widegren; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; flickor; barndom; feministisk konst; postmodernism; kvinnliga konstnärer; sexuella övergrepp; sexuell agens; materialitet; diskursanalys; bildanalys;

    Sammanfattning : Abstract Avhandlingens utgår från två grundantaganden: att barndomen konstrueras genom olika typer av meningsskapande processer och att bildkonst har en lång tradition av att bidra till detta. Avhandlingen undersöker tre svenska, samtida konstnärskap och de sätt som deras bildkonst har förhållit sig till olika diskurser om kön, ålder och sexualitet. LÄS MER

  4. 13. Art and the Real-time Archive: Relocation, Remix, Response

    Författare :David Crawford; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; art; aura of information; continuous partial attention; duration; ndexicality; inscription technologies; law of relocation; light of speed; material metaphor; net art; real-time archive; remix; simulated materiality; subject effects; technological addiction;

    Sammanfattning : If Internet artists have recently relocated their work to galleries and museums, there has meanwhile been an increasing engagement on the part of gallery artists with the media. While these migrations are often discussed in aesthetic if not economic terms, this essay asks what such phenomena can tell us about the changing nature of subjectivity in relation to media and technology. LÄS MER

  5. 14. Body movement as material : Designing temporal expressions

    Författare :Linnea Bågander; Clemens Thornquist; Lise Amy Hansen; Högskolan i Borås; []
    Nyckelord :HUMANIORA; HUMANITIES; Design; body; body as material; fashion design; performing arts; temporal form; practice-led research; design methods; motion design; Textiles and Fashion Design ; Textil och mode konstnärlig ;

    Sammanfattning : Movement and temporal qualities have a significant effect on design expressions. However, in the design of dress these are often overlooked, and the static form of a positioned body is considered to be the main driver of design. This work explores the expressions of the body in motion, engaged in the interaction constituted by wearing. LÄS MER

  7. 15. Vems hand är det som gör? : En systertext om konst/hantverk, klass, feminism och om viljan att ta strid

    Författare :Frida Hållander; Moa Matthis; Hanna Hallgren; Katarina Bonnevier; Konstfack; []
    Nyckelord :HUMANIORA; HUMANITIES; artistic research; craft; ceramics; textile; class; feminism; willfulness; autoethnography; together - making; artistic research; craft; ceramics; textile; class; feminism; willfulness; autoethnography; together-making;

    Sammanfattning : Whose hand is making? And how can we understand craft practices in dialogue with society through making and objects? How do we understand objects that manifest resistance? This dissertation in artistic research explores craft practices within the fields of ceramics and textile, through the method and form of autoethnography, and on the basis of an intersectional perspective. It understands making as embodied experience and knowledge, conditioned, but not always bounded, by societal structures, and it documents the resistance against, and the resilience of, repressive structures, in dialogues and struggles where objects gain agency. LÄS MER