Sökning: "temporal form"

Visar resultat 1 - 5 av 337 avhandlingar innehållade orden temporal form.

1. 1. Form & Formlessness : Questioning aesthetic abstractions through art projects, cross-disciplinary studies and product design education

   Författare :Cheryl Akner Koler; Edith Ackermann; Konstfack; []
   Nyckelord :HUMANIORA; HUMANITIES; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; Aesthetics; Abstractions; Form; Design; Formgiving; Formlessness; Gestalt; Complexity; cross-disciplinary; Design; Design; Konst; Arts; Designdriven och gestaltande kunskapsproduktion; Designdriven och gestaltande kunskapsproduktion; Sensorium; rumsliga perceptioner; Sensorium; rumsliga perceptioner; Materiella kulturer; Materiella kulturer;

   Sammanfattning : This research is based on empirical, embodied studies aimed to generate and regenerate aesthetic reasoning through three approaches:an educational approach concerned with developing an aesthetic discipline, supporting a formgiving process aimed to create tangible artifacts.an art-based approach supporting an open exploration of distortion and formlessnessa multi-disciplinary exploratory approach concerned with aesthetic experiences shared in laborations demonstrating complexity and transformation. LÄS MER

3. 2. Body movement as material : Designing temporal expressions

   Författare :Linnea Bågander; Clemens Thornquist; Lise Amy Hansen; Högskolan i Borås; []
   Nyckelord :HUMANIORA; HUMANITIES; Design; body; body as material; fashion design; performing arts; temporal form; practice-led research; design methods; motion design; Textiles and Fashion Design ; Textil och mode konstnärlig ;

   Sammanfattning : Movement and temporal qualities have a significant effect on design expressions. However, in the design of dress these are often overlooked, and the static form of a positioned body is considered to be the main driver of design. This work explores the expressions of the body in motion, engaged in the interaction constituted by wearing. LÄS MER

4. 3. Composing over time, temporal patterns : in Textile Design

   Författare :Barbara Jansen; Högskolan i Borås; []
   Nyckelord :HUMANIORA; HUMANITIES; temporal patterns; textile design; Textiles and fashion; Textiles and Fashion Design ; Textil och mode konstnärlig ;

   Sammanfattning : The work presented in this thesis investigates through practice a new field of textile design exploring the visual effects of moving light as a continuous time-based medium. Thereby, the textile design pattern reveals its composition, not in one moment of time any more, but in fact over time. LÄS MER

5. 4. Inter-temporal Privacy Metrics

   Författare :Stefan Berthold; Simone Fischer-Hübner; Stefan Lindskog; Lothar Fritsch; Karlstads universitet; []
   Nyckelord :TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; NATURVETENSKAP; NATURAL SCIENCES; privacy; unlinkability; metrics; uncertainty; valuation process; domain-specific language; anonymous communication; Computer Science; Datavetenskap;

   Sammanfattning : Informational privacy of individuals has significantly gained importance after information technology has become widely deployed. Data, once digitalised, can be copied, distributed, and long-term stored at negligible costs. LÄS MER

7. 5. The mold of writing : style and structure in Strindberg's chamber plays

   Författare :Erik van Ooijen; Lars-Åke Skalin; Ola Holmgren; Örebro universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; August Strindberg; chamber play; literary form; writing; focus; ruin as form; simulation; speed; weed as form; Literature; Litteraturvetenskap; HUMANITIES and RELIGION; HUMANIORA och RELIGIONSVETENSKAP; Aesthetic subjects; Estetiska ämnen; Litteraturvetenskap; Literature;

   Sammanfattning : The thesis examines the five plays published by August Strindberg under the label of Chamber Plays: Stormy Weather, The Burned Lot, The Ghost Sonata, The Pelican (all 1907), and The Black Glove (1909). It takes its point of departure in a particular aspect of Strindberg’s way of writing as he actually describes it himself: during the act of deliberate composing, a productive fever tends to emerge bringing an element of chance to the work. LÄS MER