Sökning: "art"

Visar resultat 36 - 40 av 2702 avhandlingar innehållade ordet art.

1. 36. You Told Me – work stories and video essays : Verkberättelser och videoessäer

   Författare :Magnus Bärtås; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Video essay filmic essay; conceptual art; biography; storytelling; work story verkberättelse; narrator; voice-over; post-construction; narratology; reenactment; Chris Marker; Choi Eun-hee; Video art; Art;

   Sammanfattning : You Told Me is a practice-based research project and consists of three video biographies (the Who is…? series), and two video essays (Kumiko, Johnnie Walker & the Cute (2007), Madame & Little Boy (2009), an introduction with a contextualization and methodology of the field, and three essays. The dissertation is an observation and analysis of certain functions and meanings of narration and narratives in contemporary art, as well as being an experiment with roles, methods, actions, and narrative functions in an artistic medium – the video essay. LÄS MER

3. 37. Bilder av Förintelsen. Mening, minne, kompromettering

   Författare :Max Liljefors; Avdelningen för konsthistoria och visuella studier; []
   Nyckelord :HUMANIORA; HUMANITIES; Visual Studies; Visual Culture; Holocaust Representation; Holocaust Art; Holocaust Studies; Documentary Photography; Abject Art; NO!art; Monuments; Psychoanalytic Theory; Julia Kristeva; Jacques Lacan; Abjection; Sublimation; Sacrifice; Katharsis; Apocaly; Art history; Konsthistoria; Contemporary history since 1914 ; Nutidshistoria från 1914 ;

   Sammanfattning : This thesis examines the representation in visual culture of the Holocaust, the Nazi genocide of European Jewry. It is divided into three main parts, each one focusing on a particular aspect of Holocaust representation. LÄS MER

4. 38. Mimesis as the Representation of Types : The Historical and Psychological Basis of an Aesthetic Idea

   Författare :Michael Ranta; Margaretha Rossholm-Lagerlöf; Staffan Carlshamre; Lars-Olof Åhlberg; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Art theory; aesthetics; cognitive psychology; experimental aesthetics; history of aesthetics; mental representation; aesthetic preference; pictorial representation; prototypicality; schema theory; emotion theory; categorization; behaviourism; Art; Konstvetenskap; Art science;

   Sammanfattning : This work attempts to investigate a long-standing tradition within the history of aesthetics according to which the function of pictorial representation consists, or ought to consist, of the rendering of general or idealized types rather than particulars. Proponents of this view may be found in various versions from antiquity to the present. LÄS MER

5. 39. Officeren som arkitekt och konstnär i det svenska 1800-talet

   Författare :Bo Lundström; Uppsala universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Art history; Military history; architectural history; education; amateurism; military painters; topographical pictures; reporting; contemporary descriptions; portrait painting; Konstvetenskap; Art; Konstvetenskap; History Of Art; konstvetenskap;

   Sammanfattning : In the study of 19th century, Swedish art history, military artists are repeatedly discovered, often as sketch-artists or painters, but also in their capacity as directors of the Board of Public Building or architects. Within picture art, these so-called "military painters" areconsidered to be typical representatives of the widespread amateurism of the century. LÄS MER

7. 40. Tillvaratagna effekter. Om Jan Håfströms konstnärskap och konstnärsroll

   Författare :Martin Sundberg; Avdelningen för konsthistoria och visuella studier; []
   Nyckelord :HUMANIORA; HUMANITIES; Modernism; Pop art; New realism; Minimal art; Romanticism; Ruins; Originality; Word and image; Elective affinity; Canon; Outsider; Artist s role; Material iconography; Jan Håfström; Swedish contemporary art; Postmodernism; Art history; Konsthistoria;

   Sammanfattning : In this thesis the oeuvre of the Swedish artist Jan Håfström (born 1937), from his debut in 1966 until 2002, is presented for the first time in a comprehensive approach. Concepts linked to modernism and postmodernism are used as a frame and the art works are discussed in a comparative way, placing the artist in an international context. LÄS MER