Sökning: "Ruins"
Visar resultat 1 - 5 av 17 avhandlingar innehållade ordet Ruins.
1. Tillvaratagna effekter. Om Jan Håfströms konstnärskap och konstnärsroll
Sammanfattning : In this thesis the oeuvre of the Swedish artist Jan Håfström (born 1937), from his debut in 1966 until 2002, is presented for the first time in a comprehensive approach. Concepts linked to modernism and postmodernism are used as a frame and the art works are discussed in a comparative way, placing the artist in an international context. LÄS MER
2. Visby visuellt : föreställningar om en plats med utgångspunkt i bilder och kulturarv
Sammanfattning : Syftet med den här avhandlingen är att studera de roller bilder har i skapandet av dominerande föreställningar om en plats. Exemplen är hämtade från Visby, en stad med välkända medeltida lämningar på ön Gotland i Östersjön. LÄS MER
3. En människas uttryck. Studier i Hans Ruins självbiografiska essäistik
Sammanfattning : The first dissertation in Swedish of the Finno-Swedish aesthetician, philosopher and writer Hans Ruin (1891–1980) combines an interest in the literary expression with an interest in the man behind the words. Literature as a human document, as the footprint of a human being, and its function as a bearer of experiences and insights is at the heart of the characterisation. LÄS MER
4. Interconnections : Glass beads and trade in southern and eastern Africa and the Indian Ocean - 7th to 16th centuries AD
Sammanfattning : Glass beads comprise the most frequently found evidence of trade between southern Africa and the greater Indian Oceanbetween the 7th and 16th centuries AD. In this thesis beads recovered from southern African archaeological sites are organized into series, based on morphology and chemical composition determined by LA-ICP-MS analysis. LÄS MER
5. The empty palace : an archaeology of ruts and ruins from the Chinese literary mind
Sammanfattning : THE EMPTY PALACE was first inaugurated as a limited investigation into the logic of literary classification at work in the catalogues of books in the imperial library as preserved in six of the total of twenty-four dynastic histories. This project, however, proved too narrow in scope and context to open up the rooms of real interest: the underlying evolution of the conceptual understanding of the art of letters - the changing logic of the Chinese literary mind. LÄS MER