Sökning: "conceptual art"

Visar resultat 1 - 5 av 112 avhandlingar innehållade orden conceptual art.

  1. 1. The Archive Art Phenomenon : History and Critique at the Turn of the Twenty-First Century

    Författare :Sara Callahan; Anna Dahlgren; Dan Karlholm; Anna Orrghen; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; archival art; archival turn; archive art; contemporary art; critical paradigm; the Institutional Theory of Art; Institutional Critique; parafiction; postcritique; presentism; travelling concepts; The Atlas Group; Arthur Danto; Jacques Derrida; Michel Foucault; Joachim Koester; Zoe Leonard; Michael Maranda; Walid Raad; Raqs Media Collective; Ed Ruscha; Fred Wilson; konstvetenskap; Art History;

    Sammanfattning : This dissertation investigates the relationship between art and archive at the turn of the twenty-first century. The object of study is the phenomenon of archive art, understood as a combination of theories of the archive, artworks, and different kinds of texts (catalogues, scholarly articles, critical essays, etc. LÄS MER

  3. 2. Konst och kartläggning kring 1970 : Modell, diagram och karta i konstens landskap

    Författare :Karolina Uggla; Jeff Werner; Margaretha Rossholm Lagerlöf; Annika Öhrner; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Conceptual art; maps; mapping; art and cartography; art and mapping; visual culture; art and science; scientific images; art and cybernetics; alienation; the linguistic turn; Agnes Denes; Sten Eklund; Hans Haacke; Öyvind Fahlström; Richard Long; Yoko Ono; Robert Smithson; konstvetenskap; Art History;

    Sammanfattning : The years around 1970 saw the emergence of an artistic fascination with maps and mapping. In the present thesis this fascination is conceptualised as a mapping impulse, acknowledging how the discourses of art and mapping, respectively, intertwine and merge. LÄS MER

  4. 3. Spaces of Encounter: Art and Revision in Human Animal Relations

    Författare :Bryndis Snæbjørnsdóttir; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; animal studies; artistic research; conceptual art; contemporary art; contextual art; fine art research; installation art; photography; post-humanism; relational art; Snæbjörnsdóttir Wilson; site-specific art; taxidermy.;

    Sammanfattning : This PhD project explores contemporary Western human relationships with animals through a ‘relational’ art practice. It centres on three art projects produced by Snæbjörnsdóttir/Wilson – nanoq: flat out and bluesome; (a)fly; and seal – that utilize lens-based media and installations. LÄS MER

  5. 4. You Told Me – work stories and video essays : Verkberättelser och videoessäer

    Författare :Magnus Bärtås; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Video essay filmic essay; conceptual art; biography; storytelling; work story verkberättelse; narrator; voice-over; post-construction; narratology; reenactment; Chris Marker; Choi Eun-hee; Video art; Art;

    Sammanfattning : You Told Me is a practice-based research project and consists of three video biographies (the Who is…? series), and two video essays (Kumiko, Johnnie Walker & the Cute (2007), Madame & Little Boy (2009), an introduction with a contextualization and methodology of the field, and three essays. The dissertation is an observation and analysis of certain functions and meanings of narration and narratives in contemporary art, as well as being an experiment with roles, methods, actions, and narrative functions in an artistic medium – the video essay. LÄS MER

  7. 5. Identical, But Still Different : On Artistic Appropriation in Visual Art

    Författare :Rikard Ekholm; Claes Entzenberg; Lars-Olof Åhlberg; Sven-Olov Wallenstein; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Visual art; artistic appropriation; intention; context; meta-art; conceptual art; art theory; philosophy of art; Danto; Sturtevant; Levine; Mandiberg.; Estetik; Aesthetics;

    Sammanfattning : In this dissertation about artistic appropriation I acknowledge that something indeed has happened in art. Visual art does not have to look in any special way anymore, or have historically validated content that can be visually grasped. Within this precondition artistic appropriation is situated. LÄS MER