Sökning: "Friedrich nietzsche"

Visar resultat 1 - 5 av 15 avhandlingar innehållade orden Friedrich nietzsche.

  1. 1. Frågan efter livets mening : om kunskap och konst i Nietzsches tänkande

    Författare :Fredrik Agell; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Nietzsche; Friedrich; 1844-1900; Filosofer; Tyskland; 1800-talet;

    Sammanfattning : .... LÄS MER

  2. 2. Nietzsche and the Philosophy of Pessimism : Schopenhauer, Hartmann, Leopardi

    Författare :Tobias Dahlkvist; Thomas Brobjer; Mats Persson; Andreas Urs Sommer; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; History of science and ideas; Pessimism; Friedrich Nietzsche; Arthur Schopenhauer; Eduard von Hartmann; Giacomo Leopardi; Philipp Mainländer; Julius Bahnsen; Agnes Taubert; Eugen Dühring; Nihilism; Melancholy; Eternal Recurrence; Hamlet; Idé- och lärdomshistoria; Idé- och lärdomshistoria; History of Sciences and Ideas;

    Sammanfattning : This dissertation is a study of the predominantly German pessimistic tradition in the philosophy of the late nineteenth century, and of Nietzsche’s complex relation to that tradition. The aim of the dissertation is firstly to analyse how pessimism came to be established as a philosophical concept by Schopenhauer and a later generation of pessimistic thinkers, and secondly to investigate how Nietzsche understood pessimism. LÄS MER

  3. 3. ’’... is it hunger or superabundance that has here become creative?’’ : Nietzsche on Creativity in Art and Life

    Författare :Anna-Lena Carlsson; Lars-Olof Åhlberg; Claes Entzenberg; Arnfinn Boe-Rygg; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Aesthetics; Nietzsche; Aesthetics; Art; the Artistic; Aestheticism; Aestheticization; Creativity; Life; Schopenhauer; Shusterman; Welsch; Estetik; Aesthetics; Estetik; Aesthetics; estetik;

    Sammanfattning : Art and the artistic are concepts Friedrich Nietzsche uses in a narrow sense regarding works of art and in a broader sense concerning our lives. He thereby attempts to vitalise the philosophical theme that links life and art. LÄS MER

  4. 4. Interaction as existential practice : An explorative study of Mark C. Taylor’s philosophical project and its potential consequences for Human-Computer Interaction

    Författare :Henrik Åhman; Ann Lantz; Anders Hedman; Jeffrey Bardzell; KTH; []
    Nyckelord :NATURAL SCIENCES; NATURVETENSKAP; NATURVETENSKAP; NATURAL SCIENCES; Human-Computer Interaction; Materiality; The self; Interaction; HCI theory; Mark C. Taylor; Poststructuralism; Postmodernism; Philosophy; Complexity theory; Existential practices; Friedrich Nietzsche; Människa-Datorinteraktion; Materialitet; Självet; Interaktion; MDI teori; Mark C. Taylor; Poststrukturalism; Postmodernism; Filosofi; Komplexitetsteori; Existentiella praktiker; Friedrich Nietzsche; Människa-datorinteraktion; Human-computer Interaction;

    Sammanfattning : This thesis discusses the potential consequences of applying the philosophy of Mark C. Taylor to the field of Human-Computer Interaction (HCI).The first part of the thesis comprises a study focusing on two discursive trends in contemporary HCI, materiality and the self, and how these discourses describe interaction. LÄS MER

  5. 5. Jag kan sjunga hur jag vill : Tankevärld och konstsyn i Edith Södergrans diktning

    Författare :Boel Hackman; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Literature; critical research; gender; symbolism; modernity; Arthur Schopenhau- er; Friedrich Nietzsche; Rudolf Steiner; Litteraturvetenskap; Literature; Litteraturvetenskap; Literature; litteraturvetenskap; litteraturvetenskap; Literature;

    Sammanfattning : The basis of this dissertation is a critical examination of the biographical and psychological perspective which has to date dominated work on Södergran and which explains Södergran's writings as a product of her distinctive personality and tragic circumstances. It is a view that is presented here as deceptive, enervating, and counterproductive to a deeper understanding of how her body of work relates to the development of verse during the twentieth century. LÄS MER