Sökning: "technology criticism"

Visar resultat 41 - 43 av 43 avhandlingar innehållade orden technology criticism.

  1. 41. Accounting, Stock Markets and Everyday Life

    Författare :Gustav Johed; Jan-Erik Gröjer; Bino Catasús; David Cooper; Uppsala universitet; []
    Nyckelord :Business studies; Accounting; Actor Network Theory; Annual General Meetings; Private Investors; Sociology of Translation; Företagsekonomi;

    Sammanfattning : The backdrop of this dissertation is one ubiquitous element of everyday life: the stock market. Traditionally, accounting and stock markets are logically coordinate entities and this thesis analyzes how accounting supports private investors in their role as shareholders – as investors in shares and owners of companies. LÄS MER

  3. 42. On the road to interoperability : Complexities of public sector enterprise thinking

    Författare :Hannu Larsson; Åke Grönlund; Karin Hedström; Ulf Melin; Örebro universitet; []
    Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; eGovernment; Enterprise Architecture; Enterprise thinking; Implementation; Metaphors; Informatik; Informatics;

    Sammanfattning : Increasingly, eGovernment (the use of ICTs in order to achieve better government) is moving its focus from web presence and electronic service provision to striving for an interoperable public sector. Interoperability refers to the ability for information exchange across organizational borders, concerning technology as well as business aspects. LÄS MER

  4. 43. Figures of time : on the phenomenology of cinema and temporality

    Författare :Malin Wahlberg; Michael Renov; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER