Sökning: "HUMANITIES and RELIGION Aesthetic subjects Literature"
Visar resultat 1 - 5 av 266 avhandlingar innehållade orden HUMANITIES and RELIGION Aesthetic subjects Literature.
- Detta är en avhandling från Stockholm : Almqvist & Wiksell International / Acta Universitatis Stockholmiensis
Sammanfattning : The purpose of this work is to detect a pattern: the concordance of Ethics and Aesthetics, Poetics and Politics in the most influential American thinker of the nineteenth century. It is an attempt to trace a basic concept of the Emersonian transcendentalist doctrine, its development, its philosophical meaning and practical implications. LÄS MER
- Detta är en avhandling från Albany, NY : University at Albany, State University of New York
Sammanfattning : Doctoral dissertation supervised by Professor Ronald A. Bosco (co-supervised by Professor Judith Johnson and Professor Judith Fetterley), Department of English, University at Albany, State University of New York. LÄS MER
- Detta är en avhandling från Uppsala : Acta Universitatis Upsaliensis
Sammanfattning : The opposition against Gustavus III (1746–1792) had limited access to the printing press, but managed to spread a variety of political pamphlets through clandestine manuscripts. The main purpose of the dissertation is to analyse this communication and thereby enhance our understanding of the political culture of the period. LÄS MER
- Detta är en avhandling från Uppsala : Avdelningen för litteratursociologi
Sammanfattning : This study investigates the effects of digitization on literature and literary culture with focus on works of literary fiction and other kinds of works inspired by such works. The concept of “hyperworks” refers to works intended to be navigated multisequentially, i.e. the users create their own paths through the work by making choices. LÄS MER
- Detta är en avhandling från Örebro : Örebro universitet
Sammanfattning : The thesis examines the five plays published by August Strindberg under the label of Chamber Plays: Stormy Weather, The Burned Lot, The Ghost Sonata, The Pelican (all 1907), and The Black Glove (1909). It takes its point of departure in a particular aspect of Strindberg’s way of writing as he actually describes it himself: during the act of deliberate composing, a productive fever tends to emerge bringing an element of chance to the work. LÄS MER