Sökning: "Lars-Åke Skalin"
Visar resultat 1 - 5 av 14 avhandlingar innehållade orden Lars-Åke Skalin.
1. Den bundna viljan : till determinationens problem i skönlitterär naturalism
Sammanfattning : .... LÄS MER
2. The book and its narratives : a critical examination of some synchronic studies of the book of Judges
Sammanfattning : During recent decades, there has been a trend among biblical scholars towards applying methods borrowed from literary studies to the familiar texts of the Old and New Testaments. A major reason for this reorientation is the search for a meaningful and interpretable text; hence, it can be seen as a protest against the historical-critical school and its ambition to reconstruct an authentic text by means of a diachronic analysis. LÄS MER
3. Överskridandets strategier : lyrisk romankonst och dess uttryck hos Rosendahl, Trotzig och Lillpers
Sammanfattning : In this thesis I describe and analyse the concept of ”lyrical novel” in relation to concrete textual examples. Referring to Waismann’s open texture (porösität) and Wittgensteins ”family resemblance” I study texts that resemble each other although their lyrical features may not be identical. LÄS MER
4. The written and the unwritten world of Philip Roth : fiction, nonfiction, and borderline aesthetics in the Roth books
Sammanfattning : This thesis examines five books by the American author Philip Roth commonly referred to as the “Roth Books,” which are The Facts: A Novelist’s Autobiography(1988), Deception (1990), Patrimony: A True Story (1991), Operation Shylock: A Confession (1993), and The Plot Against America (2004). These books, held together by the author’s proper name, are often viewed as texts that conflate fiction and nonfiction or demonstrate the “fictionality” of all factual narrative accounts in compliance with well-known postmodernist and poststructuralist theories. LÄS MER
5. Romankonst och berättarteori : en kritisk diskussion med utgångspunkt i Göran Tunströms författarskap
Sammanfattning : The thesis challenges the notion that the novel should be considered as a kind of narrative in the narratological sense of the word. It argues that it is by no means self-evident to define the novel as a narrative if one by narrative means someone telling someone else that something happened. LÄS MER
