Sökning: "Film Genres"
Visar resultat 1 - 5 av 15 avhandlingar innehållade orden Film Genres.
1. "Filmreformens förste avantgardist" : Experimentfilmaren Peter Kylberg
Sammanfattning : This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER
2. The Invisible Seen in French Cinema before 1917
Sammanfattning : Since the inception of cinema, an important strand of the medium has focused on itself, on what it depicts, and its indexical relation to the profilmic. Such concerns were most conspicuously put forward by the trick-film genre which bypassed conventional realism in its toying with the photographic image as well as cinematic movement. LÄS MER
3. Upplevelser av svensk film : en kartläggning av genrer inom svensk film under åren 1985–2000
Sammanfattning : UPPLEVELSER AV SVENSK FILM offers a broad understanding of Swedish cinema during the years between 1985 and 2000. The dissertation focuses on those Swedish films that have been given a wide distribution, i.e. films that in many cases can be considered popular films. LÄS MER
4. Jorden är vår arvedel : Landsbygden i svensk spelfilm 1940-1959
Sammanfattning : This study portrays one of the most important genres in Swedish film history,yet relatively unknown to today's film historians. The films about the countryside and the life,people and traditions of that particular milieu reached a peak in popularity in the years immediately after WW II followed by a somewhat small renaissance in the middle of the 1950's. LÄS MER
5. Snuten i skymningslandet : svenska polisberättelser i roman och film 1965–2010
Sammanfattning : The dissertation "The Cop in the Twilight Land: Swedish Police Narratives 1965-2010" considers Swedish culture and ideas in the period 1965-2010 as expressed in detective fiction and film in the tradition of Maj Sjöwall and Per Wahlöö. It takes the Swedish police narrative tradition to be part and parcel of the European history of ideas and culture; a history that necessarily comprises America, by extension a European colonial power, which in the process of constructing its national identity eradicated its native population. LÄS MER
