Sökning: "Cinema"

Visar resultat 11 - 15 av 100 avhandlingar innehållade ordet Cinema.

1. 11. Figures of time : on the phenomenology of cinema and temporality

   Författare :Malin Wahlberg; Michael Renov; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

   Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER

3. 12. Darkness as Material

   Författare :Mia Engberg; Rebecca Hilton; Elisabeth Hjorth; Mara Lee; Stockholms konstnärliga högskola; []
   Nyckelord :HUMANIORA; HUMANITIES; cinema; darkness; silence; darkness as material; the visual silence; experimental cinema; essay film; Marguerite Duras; Derek Jarman; Mia Engberg; Hypermoon; Secrets of the Sun; Belleville trilogy; film; mörker; tystnad; mörker som material; den visuella tystnaden; experimentell film; essä film; Belleville-trilogin; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Konstnärlig doktorsexamen i performativa och mediala praktiker med inriktning i film och media; Konstnärlig doktorsexamen i performativa och mediala praktiker med inriktning i film och media;

   Sammanfattning : The doctoral project Darkness as Material, examines darkness as material and its relationship to cinematic storytelling. The study addresses different kinds of darkness: darkness in the image, darkness in the cinema theatre, darkness in the spectator where films are received and the darkness in the filmmaker, where the world is reflected and ideas are born. LÄS MER

4. 13. On the Anarchic Organisation of Cinematic Spaces : Evoking Spaces beyond Cinema

   Författare :Rosa Barba; Konsthögskolan i Malmö; []
   Nyckelord :HUMANIORA; HUMANITIES; Cinema; Astronomy; Fictional Library; Film; Flicker; Material; New Machine; Autonomy; Embarking; Collective Performances; Public; Auditorium; Space;

   Sammanfattning : This research engages with the space beyond cinema and comprises a futuristic vision about the condition of cinema.My work takes a conceptual approach that considers cinema in an architectural sense and as an instrument, where the environment, the screen, and the projection can be combined or pushed forward to create another spatiotemporal dimension that is concurrent with and beyond the context of interior or exterior space. LÄS MER

5. 14. Reel Socialism : Making sense of history in Czech and German cinema since 1989

   Författare :Sune Bechmann Pedersen; Historia; []
   Nyckelord :HUMANIORA; HUMANITIES; Socialism; cinema; communism; history culture; film; memory; Germany; Czech Republic; East Germany; Czechoslovakia; 1989; revolution; retro; nostalgia; Ostalgie; coming to terms with the past;

   Sammanfattning : This thesis is a comparative study of the communist past as depicted in Czech and German feature films since 1989, or ‘reel socialism’. It is the first detailed study of post-1989 Czech history films and the first comparative study of German post-reunification cinema. LÄS MER

7. 15. Picturing Dissolving Views : August Strindberg and the Visual Media of His Age

   Författare :Vreni Hockenjos; Astrid Söderbergh-Widding; Stephan Michael Schröder; Sara Danius; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; August Strindberg; media history; 1870–1912; visual culture; media in literature; Sweden; early cinema; magic lantern; panorama; instantaneous photography; graphic reproduction; theatre; science; perception; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

   Sammanfattning : The subject of this study is August Strindberg’s interaction with the visual media of his day. Its dual aim is to examine Strindberg’s work in the light of media history and to allow Strindberg’s work in turn to illuminate the media history of the fin de siècle. LÄS MER