Visar resultat 1 - 5 av 24 avhandlingar innehållade ordet montage.
Sammanfattning : .... LÄS MER
Sammanfattning : In recent decades, photography as a technology has undergone a series of transformative changes, which have, in turn, entailed different renegotiations of the functions of photography – as image or information, as inscription or transmission. Within the framework of such a radical shift, this dissertation in photography insists on probing into and exploring the persisting effects of analogue photographs within digital ecologies. LÄS MER
Sammanfattning : The rugged field and group of trees between housing estates or next to the railroad tracks, the left-over space of deserted industrial areas, the vacant demolition site of a central city block – they could all be termed ‘urban voids’. However, they are often anything but voids, in a literal sense, as they are not empty, or deserted. LÄS MER
Sammanfattning : Focusing on the memories of Estonian refugees moving to Sweden in the wake of World War II, I analyze the concepts of “memory space” and history within the framework of the Escape as a master narrative. Following the research participants to the sites of their memories in Estonia and Sweden today, raised the questions what constitutes a lived memory space, and how is history defined within it?Through a combination of a phenomenological analysis of memory’s lived experience, using Walter Benjamin’s concept of montage as radical remembering and its dialectical relation to history, I show how embodied memories shape their own space, a space not always framed by historical master narratives and identity positions, but rather a searching space that is always changing. LÄS MER
Sammanfattning : At a moment in history when “post-truth” and “alternative facts” epitomize a political and media landscape that feeds on the circulation of doubt and distrust, The Objectivity Laboratory: Propositions on Documentary Photography addresses ethical dilemmas that emerge when artists’ approach the realities and experiences of others. Prominent photography criticism in the 1970s and 1980s brought a heightened awareness to the politics of representation, resulting in the emergence of a “documentary distrust. LÄS MER