Sökning: "montage"

Visar resultat 1 - 5 av 24 avhandlingar innehållade ordet montage.

  1. 1. Bildets oppløsning : filmens bevegelse i historisk og teoretisk perspektiv

    Författare :Trond Lundemo; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Godard; Jean-Luc; 1930-; Welles; Orson; 1915-1985.; Eisenstein; Sergej; 1898-1948; Filmteori; Kinematograf; Montage; Montage-- film;

    Sammanfattning : .... LÄS MER

  2. 2. Händelsehorisont || Event Horizon. Distribuerad fotografi

    Författare :Cecilia Grönberg; Göteborgs universitet; Göteborgs universitet; Gothenburg University; []
    Nyckelord :HUMANIORA; HUMANITIES; analogue photography; digital photography; distributed photography; decentralised strategies; photography; fotografisk gestaltning; publishing; media ecologies; the book as medium; montage; layers; visual historiography; alternative historiography; artistic research; event horizon;

    Sammanfattning : In recent decades, photography as a technology has undergone a series of transformative changes, which have, in turn, entailed different renegotiations of the functions of photography – as image or information, as inscription or transmission. Within the framework of such a radical shift, this dissertation in photography insists on probing into and exploring the persisting effects of analogue photographs within digital ecologies. LÄS MER

  3. 3. The void : Urban wasteland as political space

    Författare :CECILIA VON SCHÉELE; Statsvetenskapliga institutionen; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; urban void; urban wasteland; urban planning; urban politics; space; rhythm; undecidable; montage; Derrida; Massey;

    Sammanfattning : The rugged field and group of trees between housing estates or next to the railroad tracks, the left-over space of deserted industrial areas, the vacant demolition site of a central city block – they could all be termed ‘urban voids’. However, they are often anything but voids, in a literal sense, as they are not empty, or deserted. LÄS MER

  4. 4. Minnesspår : Hågkomstens rum och rörelse i skuggan av flykt

    Författare :Maryam Adjam; Magnus Öhlander; Irina Sandomirskaja; Kyrre Kverndokk; Södertörns högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Memory; history; lived experience; memory poetics; movement; montage; place memory; spatiality; World War II; Estonia; refugees; Minne; historia; levd erfarenhet; varande; minnespoetik; rörelse; montage; minnesplats; rumslighet; andra världskriget; Estland; flykt; Historical Studies; Historiska studier; Östersjö- och Östeuropaforskning; Baltic and East European studies;

    Sammanfattning : Focusing on the memories of Estonian refugees moving to Sweden in the wake of World War II, I analyze the concepts of “memory space” and history within the framework of the Escape as a master narrative. Following the research participants to the sites of their memories in Estonia and Sweden today, raised the questions what constitutes a lived memory space, and how is history defined within it?Through a combination of a phenomenological analysis of memory’s lived ex­perience, using Walter Benjamin’s concept of montage as radical remembering and its dialectical relation to history, I show how embodied memories shape their own space, a space not always framed by historical master narratives and identity posi­tions, but rather a searching space that is always changing. LÄS MER

  5. 5. The Objectivity Laboratory: Propositions on Documentary Photography

    Författare :Kerstin Hamilton; Göteborgs universitet; Göteborgs universitet; Gothenburg University; []
    Nyckelord :Documentary photography; situated objectivity; montage; truths; ethics; nearby; investigation; resistance;

    Sammanfattning : At a moment in history when “post-truth” and “alternative facts” epitomize a political and media landscape that feeds on the circulation of doubt and distrust, The Objectivity Laboratory: Propositions on Documentary Photography addresses ethical dilemmas that emerge when artists’ approach the realities and experiences of others. Prominent photography criticism in the 1970s and 1980s brought a heightened awareness to the politics of representation, resulting in the emergence of a “documentary distrust. LÄS MER