Sökning: "photography"

Visar resultat 21 - 25 av 183 avhandlingar innehållade ordet photography.

  1. 21. Elever erfar och representerar världen visuellt : en utforskande studie om hur mellanstadieelever skapar mening genom fotografi

    Författare :Maria Söderling; Lotta Bergman; Fredrik Lindstrand; Sylvana Sofkova Hashemi; Malmö universitet; []
    Nyckelord :Multimodal literacy; photography; semiosis; meaning-making; social semiotics; affordance; positioning; iterativity; digital tool; middle school; Multimodal literacy; fotografi; semiosis; meningsskapande; socialsemiotik; affordans; positionering; iterativitet; digitalt verktyg; mellanstadiet;

    Sammanfattning : Placed within language and literature didactics this qualitative practice-based study with a multimodal perspective aims to explore the potentials for meaning-making through photography.  Despite that, the digitization of society has facilitated access to various modes of meaning-making and has had a major impact on how we communicate and learn, new possibilities for meaning-making using for example film or photography are poorly explored in both research and education. LÄS MER

  2. 22. Kameran i krig : den fotografiska iscensättningen av Vietnamkriget i svensk press

    Författare :Kari Andén-Papadopoulos; Peter Larsen; Stockholms universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; war photography; Vietnam war; media; visual communication; documentary photography; photo history; photo theory; Sweden; gender theory; masculinity; femininity; postcolonial theory; cultural studies; ideologies; medie- och kommunikationsvetenskap; Media and Communication Studies;

    Sammanfattning : The doctoral thesis deals with the problems of (news) photographic representation in general, and is based on an empirical study ofVietnam War photography in four major Swedish daily newspapers. A more specific aim of the thesis is to investigate and ideologically evaluate the representational strategies of the press photographs. LÄS MER

  3. 23. Figures of time : on the phenomenology of cinema and temporality

    Författare :Malin Wahlberg; Michael Renov; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER

  4. 24. In conversation with the Kolam practice: Auspiciousness and artistic experiences among Women in Tamilnadu, South India

    Författare :Anna Laine; Göteborgs universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; anthropology; kolam; visual culture; multisensoriality; aesthetics; art; artistic practice; photography; gender; efficacy; agency; hinduism;

    Sammanfattning : This anthropological study explores the kolam, a South Indian practice where women daily draw geometrical images in front of their homes to invite the deities. Through this practice, women engage in social and religious processes. They generate an auspicious atmosphere and become constructed as feminine beings. LÄS MER

  5. 25. Barbro Östlihn och New York : Konstens rum och möjligheter

    Författare :Annika Öhrner; Hans Hayden; Jan von Bonsdorff; Marta Edling; Maria Hirvi-Ijäs; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Barbro Östlihn; post war art history; American post war art history; Swedish art history; pop art; feminism; painting; photography; avantgarde; neo-avantgarde; Moderna Museet; Konstfack School of Arts Crafts and Design; The Royal Academy of Art; Aspect 61; Pentacle; art criticism; New York; urban renewal; Öyvind Fahlström; Roy Lichtenstein; Robert Rauschenberg; Jasper Johns; Billy Klüver; Donald Judd; Barbara Rose; Dore Ashton; Pontus Hultén; NUNSKU; Manhattan Urban Renewal; Pierre Bourdieu; Michel Foucault.; Barbro Östlihn; post World War II Art History; American post World War II art; Swedish Art History; pop art; feminism; painting; photography; avantgarde; neo-avantgarde; Moderna Museet; Konstfack School of Arts Crafts and Design; The Royal Academy of Art; Aspect 61; Pentacle; art criticism; New York; urban renewal; Öyvind Fahlström; Roy Lichtenstein; Robert Rauschenberg; Jasper Johns; Billy Klüver; Donald Judd; Barbara Rose; Dore Ashton; Pontus Hultén; NUNSKU; Manhattan Urban Renewal; Pierre Bourdieu; Michel Foucault.; Art; Konstvetenskap; Konstvetenskap; History of Art;

    Sammanfattning : The study analyses the American neo-avantgarde as well as the narratives of Swedish post World War II art history, through a specific subject position. The Swedish painter Barbro Östlihn (1930-1995) lived in New York from 1961, where her work was exhibited and received on a new art scene. LÄS MER