Sökning: "musik- och teatervetenskap"
Visar resultat 11 - 15 av 28 avhandlingar innehållade orden musik- och teatervetenskap.
11. Performing Power : The Political Masks of King Gustav III of Sweden (1771-1792)
Sammanfattning : King Gustav III founded the Swedish National Theater and Opera, participated in the court theater as playwright, director and actor and he was rightly called the Theater King. The King’s passion for acting was perceived in the past as a psychological weakness, which won him the appellation of wimp (fjant). LÄS MER
12. The Aesthetics of Movement : Variations on Gilles Deleuze and Merce Cunningham
Sammanfattning : This thesis is an interdisciplinary study of the aesthetics of movement in Gilles Deleuze’s writings and in Merce Cunningham’s choreographies. But it is also a study of the movement that arises when the two meet in a series of variations, where also their respective working partners Félix Guattari and John Cage enter. LÄS MER
13. Spelet om teaterpolitiken : Det svenska regionteatersystemet – från statligt initiativ till lokal realitet
Sammanfattning : The aim of this dissertation is to examine the impact that the new cultural policy had on the field of Swedish theatre in the 1970s. Of special interest is the system of regional theatres that emerged from the new cultural policy. In focus are the central political process, and the founding of three regional theatres. LÄS MER
14. Rättens iscensättning : rum, framträdanden, gränser
Sammanfattning : This dissertation studies legal practice and representation from the perspective of Theatre- and Performance Studies. It aims to describe and analyse the theatrical, ritualistic and spatial aspects of law, its practices, representations and buildings. More specifically, the dissertation explores the trial as a performance. LÄS MER
15. Bodies to suit the music : Depictions in opera rehearsals
Sammanfattning : This thesis investigates how participants in 20 hours of video-recorded scenic opera rehearsals make use of depictions (Clark, 2016), a communicative strategy based on iconicity, to create performance bodies, i.e. what the performers should do on stage to music. LÄS MER