Sökning: "exhibition form"

Visar resultat 1 - 5 av 35 avhandlingar innehållade orden exhibition form.

1. 1. Att ställa ut kultur : om kulturhistoriska utställningar under 100 år

   Författare :Staffan Carlén; Umeå universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; cultural conceptions; basic cultural themes; aspects of perception; aspects of communication; cognitive structure; exhibition form; exhibition language;

   Sammanfattning : Studying a central museum’s exhibition forms and exhibition language for a century permits envestigation into how a museum can act independently of the surrounding society, or whether society, currents offashion and scientific theory, influence the development of the museum, of exhibition activity and of policy. It is of interest whether the protagonists in the museum, i. LÄS MER

3. 2. Dimmer på Upplysningen : text, form och formgivning

   Författare :Andreas Nobel; Helena Mattson; Katja Grillner; Gunilla Bandolin; Lars-Henrik Ståhl; KTH; []
   Nyckelord :HUMANIORA; HUMANITIES; Textualization; sensuousness; knowledge; power; thought style; language; technologies for thinking; representation enlightenment; form; design; Textualisering; sinnlighet; kunskap; bildning; makt; tankestil; språk; teknologi; distans; reflektion; medvetenhet; upplysning; form; design; Art; Technology and Design; Konst; teknik och design; Design;

   Sammanfattning : The main part of the dissertation is a text. The other is an exhibition mainly presenting a bow-lathe and some furniture designed and produced in that bow lathe. Interior- and furniture design are disciplines in which sensory qualities are important. LÄS MER

4. 3. The Patent Office on Display : Intellectual Property in the Public Eye

   Författare :Isabelle Strömstedt; Eva Hemmungs Wirtén; Gustav Källstrand; Megan Richardson; Linköpings universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Exhibition; Narrative; Microhistory; Anniversaries; Patent system;

   Sammanfattning : In 1941, the Swedish Patent and Registration Office (PRV) celebrated its fiftieth anniversary as an independent agency. The major event of this celebration was an exhibition at the Swedish National Museum of Science and Technology titled Idé – Patent – Produkt. LÄS MER

5. 4. Remembering and Forgetting in the Archive : Instituting ‘Group Material’ (1979–1996)

   Författare :Julie Ault; Konsthögskolan i Malmö; []
   Nyckelord :HUMANIORA; HUMANITIES; timeline; time frame; retrospective; Felix Gonzalez-Torres; recollection; alternative arts network; AIDS Timeline; publishing; microhistory; interpretation; instituting; archive; archiving; Corita; book as exhibition; chronicle; collaboration; chronology; collective memory; contextualization; curating; ephemeral art practices; exhibition making; exhibition pedagogy; Group Material; historical representation; history writing; historicization;

   Sammanfattning : My PhD submission is made up of a constellation of three elements that form a body of textual material / theory and practice event / exhibition. (1) A dimension of critical writing or dissertation that has two parts: (a) Retrospective / Prospective: Activating the Archive, September 1, 2010, and (b) an accretion of further analysis, Archive, Archived, Archiving, September 1, 2011. LÄS MER

7. 5. Negotiating 'Culture', Assembling a Past: the Visual, the Non-Visual and the Voice of the Silent Actant

   Författare :Jonathan Westin; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; Techniques of visual representation; visualisation; limitation; audience; museum; exhibition; technology; interactivity;

   Sammanfattning : The aim of this thesis is to describe and analyse the processes surrounding the creation of a scientific visual representation, where, both in the practical creation of this visualisation and in the way it is communicated, those actants which amount to what we call ‘culture’ or cultural value, are enrolled or ignored. Trying to answer if a broader set of non-visual cultural properties can be identified and their influence described, and if history can be visualised without displacing our knowledge of the past in favour of a popular representation thereof, I trace the interaction between client, artist, technology and target audience. LÄS MER