Sökning: "Bok film"
Visar resultat 1 - 5 av 1705 avhandlingar innehållade orden Bok film.
1. Film på konstmuseum : Nationalmuseums möten med filmmediet 1945–1950
Sammanfattning : This dissertation presents a number of previously-forgotten practices and ‘expected opportunities’ which surrounded film at the Swedish National Museum of Fine Arts (Nationalmuseum), between 1945 and 1950. The dissertation is structured around three projects and each project has its own chapter. LÄS MER
2. "Filmreformens förste avantgardist" : Experimentfilmaren Peter Kylberg
Sammanfattning : This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938–). The study examines how Swedish film-cultural and film-political actors interacted with Kylberg in his ambition to create a particular type of expression in the film medium. LÄS MER
3. Extracting versatility : Films commissioned by the mining industry in postwar Sweden
Sammanfattning : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. LÄS MER
4. Framing the Feature Film : Multi-Reel Feature Film and American Film Culture in the 1910s
Sammanfattning : This dissertation addresses the breakthrough of the multi-reel feature film in the United States, and the significance of this process within the wider context of the American film industry and culture in the 1910s. The purpose is to provide a new, and more comprehensive analytical framing of the topic, and to enhance our understanding of how a new central commodity, i. LÄS MER
5. Early Discourses on Colour and Cinema : Origins, Functions, Meanings
Sammanfattning : This dissertation is a historical and theoretical study of a number of discourses examining colour and cinema during the period 1909 to 1935 (trade press, film reviews, publications on film technology, manuals, catalogues and theoretical texts from the era). In this study, colour in cinema is considered as producing a number of aesthetic and representational questions which are contextualised historically; problems and qualities specifically associated with colour film are examined in terms of an interrelationship between historical, technical, industrial, and stylistic factors, as well as specific contemporary conceptions of cinema. LÄS MER