Avancerad sökning
Visar resultat 11 - 15 av 6559 avhandlingar som matchar ovanstående sökkriterier.
11. "Not So Simple" : Reassessing 1951, G.B. Giorgini and the launch of Italian fashion
Sammanfattning : This dissertation aims to shed light on the circumstances that allowed Italy to become a reputable country of origin in the international fashion market. In particular, my contribution to the historiography of Italian fashion is a reassessment of the role played by Giovanni Battista Giorgini, whose involvement with the fashion and handicraft industries has not been fully investigated by scholars so far. LÄS MER
12. Aesthetic Experiences of Presence : Case Studies in Film Exhibition, 1896-1898
Sammanfattning : This study investigates viewing experiences that came with the introduction of cinema. Merging (film) history with aesthetic theory, this dissertation entails historically informed theoretical reconstructions of viewing experiences between 1896 and 1898. LÄS MER
13. Playing Activists and Dancing Anarchists : Men and Masculinities in Cultural Performances in Contemporary Sweden
Sammanfattning : Playing Activists and Dancing Anarchists is a Ph.D. dissertation that aims to analyse men and masculinities in political demonstrations and similar manifestations by conceptualising and analytically approaching such cultural performances as theatrical events. LÄS MER
14. The Effect of Guanxi on the Foreign Market Entry Process into China : The Swedish Case
Sammanfattning : Business network theory believes that foreign market entry of a firm is the result of the interactions between the actors of the firm and the network. The foreign country’s network conditions will inevitably influence the process. LÄS MER
15. Bildet sett fra innsiden : Ikonoklastiske og matematiske konsepter i Florenskijs omvendte perspektiv
Sammanfattning : For the Armenian-Russian mathematician, theologian and art-theoretician Pavel Florensky (1882–1937), the so-called reverse perspective of the Byzantine cult-image (in Greek: eikon) functioned not only as a phenomenon within painting, but also as an expression of a world-view that should ultimately define a cultural distinction between Russia and Europe. Florensky argued in various ways that the Russian-Orthodox reverse perspective represents ethical and aesthetical values that are superior to the Western linear perspective. LÄS MER