Sökning: "Teatervetenskap"

Visar resultat 26 - 30 av 115 avhandlingar innehållade ordet Teatervetenskap.

1. 26. Teater i Buenos Aires : Teatergruppen Los Volatineros (1976-1989): En kontextrelaterad uppsättnings- och receptionsstudie

   Författare :Oscar Hugo Macotinsky; Helena Wulff; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Argentina; Buenos Aires; citizenship; civil society; context; cultural field; democracy; dictatorship; ideology; integration policy; post colonialism; theatre experimental theatre; staging and reception analysis; theatre event; theatre group; theatre language .; teatervetenskap; Theatre Studies;

   Sammanfattning : The primary purpose of the present study is to analyse the aesthetics, theory and practice of Los Volatineros, an independent theatre group, in the socio-political and cultural context of Buenos Aires in 1976-1989. Role interpretation and receptiongo hand in hand and comprise a unit in my combined staging and reception analyses, which are further related to contextual aspects. LÄS MER

3. 27. Fruktansvärd, ospelad och nyskriven - kriser och konflikter kring ny svensk dramatik : från Gustav III:s originaldramatik till dagens beställningsdramatik

   Författare :Charlott Neuhauser; Tiina Rosenberg; Willmar Sauter; Birgitta Johansson Lindh; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; new swedish playwriting; swedish theatre history; swedish drama; Brita von Horn; nyskriven dramatik; svensk dramatik; Brita von Horn; Sveriges dramatikers studio; teaterstriden 1916; Vilhelm Moberg; Tor Hedberg; svensk teaterhistoria; dramatikhistoria; Theatre Studies; teatervetenskap;

   Sammanfattning : The issue of this thesis concerns a selection of historical debates in which new Swedish drama is under discussion. The studied debates take place in the cultural and political fields and within the fields of theater and literature and deal with a recurring assumption in Swedish theatre history – that new Swedish drama is insufficient. LÄS MER

4. 28. ”Gudomlig, ingenting mindre än gudomlig!” : Skådespelerskan Ellen Hartmans iscensättningar på scen och i offentlighet

   Författare :Hélène Ohlsson; Tiina Rosenberg; Claudia Lindén; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Swedish theater; actress; acting; diva; femininity; pariah femininity; gender; fin-de siècle; Ellen Hartman; Theatre Studies; teatervetenskap;

   Sammanfattning : The purpose of the thesis is to examine the diva femininity, career strategies, and acting style of the Swedish actress Ellen Hartman (1860-1945). The aim is to highlight her importance to Swedish theater during the fin-de-siècle. LÄS MER

5. 29. Stanislavskij-variationer : skådespelarövningar som didaktiska instrument i pedagogiskt drama

   Författare :Istvan Pusztai; Anna-Lena Østern; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; drama in education; drama; theatre with children; aesthetic education; actors training; didactic; exercises for actors.; teatervetenskap; Theatre Studies;

   Sammanfattning : The aim of this study is to investigate the influence of Stanislavski's method for actors training on four methods in drama in education and how the founders adapted fields of training and transformed exercises according to their educative purposes.The basis for this comparative analysis is the content of the first part, "the actors work with himself", in Stanislavski's proposal for a four year professional training. LÄS MER

7. 30. När dansen blev modern : Framväxt, formering och förändring av ett svenskt konstområde, 1930-1960

   Författare :Ingrid Redbark Wallander; Lena Hammergren; Karen Anfred Vedel; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; choreographer; classical ballet; cultural policy; cultural theory; dance critic; dance discourses; dance pedagogue; dancer; ethnographic dance; free dance; historiography; modernity; organization; professionalization; public education; teatervetenskap; Theatre Studies;

   Sammanfattning : This dissertation, When Dance Became Modern (När dansen blev modern), deals with theatrical dance in Sweden between 1930 and 1960 from a historiographical perspective and assumes that dance is interwoven with socio-cultural contexts. The aim is to investigate what factors create the conditions for certain genres and aesthetics to emerge. LÄS MER