Sökning: "narrative music"
Visar resultat 26 - 30 av 31 avhandlingar innehållade orden narrative music.
26. A Composite Modernist Composer : A Study of Intersections between Composition, Theorizing, and Performance in Olivier Messiaen
Sammanfattning : Different professional roles within music change over time. The evolution of modernism in twentieth century art music elevated the composer to the pinnacle of musical creativity. Accomplished modernist composers came to be regarded as intellectuals, and were expected to hold rational conceptions of their individual styles. LÄS MER
27. Kvinnors ansikte : stereotyper och kvinnlig identitet i trettiotalets svenska filmmelodram
Sammanfattning : This dissertation analyses the status and function of the female image in the popular Swedish film melodrama of the 1930s. Its conceptual apparatus stems from the idea of film as a major cultural force, expressing a society's dominant ideology. LÄS MER
28. Slippery paths : The performance and canonization of Turkic literature and Uyghur muqam song in Islam and modernity
Sammanfattning : In the past forty years the fluid Uyghur muqam song tradition has been transformed into a cultural canon used to represent the Uyghur ethnic group within China and on the world stage. Traditional muqam performers have provided the magma of songs that scholars and politicians have edited into an invented "great tradition" which supports a Uyghur claim to an important piece world cultural history. LÄS MER
29. The English occupational song
Sammanfattning : This is the first full-length study in English of occupational songs. They occupy the space between rhythmic work songs and labour songs in that the occupation signifies. Occupation is a key territorial site. If the métier of the protagonist is mentioned in a ballad, it cannot be regarded as merely a piece of illustrative detail. LÄS MER
30. Nazityskland i populärkulturen : Minne, myt, medier
Sammanfattning : The study follows the tradition of Cultural Studies, with a special interest in visual culture, and examines how history is being represented in different media, how these representations are interpreted by the audience, and how the outcome functions in the individual knowledge-building about this particular era. Here the notion of what is often called a collective, or cultural, memory, is important; both as a vehicle for a dominant discourse on memory and as a counterpart to individual memory, which might be more or less in agreement or opposition with the dominant. LÄS MER
