Sökning: "cinema"
Visar resultat 16 - 20 av 100 avhandlingar innehållade ordet cinema.
16. Early Discourses on Colour and Cinema : Origins, Functions, Meanings
Sammanfattning : This dissertation is a historical and theoretical study of a number of discourses examining colour and cinema during the period 1909 to 1935 (trade press, film reviews, publications on film technology, manuals, catalogues and theoretical texts from the era). In this study, colour in cinema is considered as producing a number of aesthetic and representational questions which are contextualised historically; problems and qualities specifically associated with colour film are examined in terms of an interrelationship between historical, technical, industrial, and stylistic factors, as well as specific contemporary conceptions of cinema. LÄS MER
17. voice under
Sammanfattning : If voice over is the superior voice that dictates truth, I examine voice under, the other truths that take place simultaneously. In my doctoral thesis voice under, I explore all the parallel voices beyond the dominating all-knowing voice over. LÄS MER
18. Haloed Objects on Mental Parade : Myth and Magic in Post-War Surrealist Cinema
Sammanfattning : Following the end of World War II, the surrealist founder André Breton organized the exhibition Le Surréalisme en 1947. In conjunction with it, he announced a “change in direction” for surrealism, towards the search for a new myth, replete with magic. LÄS MER
19. The Invisible Seen in French Cinema before 1917
Sammanfattning : Since the inception of cinema, an important strand of the medium has focused on itself, on what it depicts, and its indexical relation to the profilmic. Such concerns were most conspicuously put forward by the trick-film genre which bypassed conventional realism in its toying with the photographic image as well as cinematic movement. LÄS MER
20. ‘A Machine for Living’ : Urban Domesticity in Polish Literature and Cinema 1969–2008
Sammanfattning : The aim of this dissertation is to study urban domesticity in Polish film and literature against the background of the political and social transformations that have taken place in recent decades. The study begins with the so-called belle époque of the Polish People’s Republic and the decade of Edward Gierek, continues through the political upheavals, the period of martial law, and the system transformation of 1989 and the two following decades, which have been marked by the introduction of democracy, global capitalism, consumerism etc. LÄS MER