Sökning: "organist"

Visar resultat 1 - 5 av 12 avhandlingar innehållade ordet organist.

  1. 1. Rich in Nuances: a Performance-Oriented Study of Otto Olsson’s Organ Music

    Detta är en avhandling från Göteborg : Dept. of Musicology, School of Music and Musicology, Göteborgs universitet

    Författare :Sverker Jullander; Göteborgs universitet.; Gothenburg University.; Göteborgs universitet.; Gothenburg University.; [1997]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Sweden; organ music; harmonium music; organist; composer; Otto Olsson 1879–1964 ; performance practice; music analysis; counteroint; sonata form; etude; meditation; chorale; plainsong; musical symbolism; Orgelbewegung; sound recordings; late Romantic organs; registration; tempo; metronome markings; agogics; articulation; phrasing; slurs; ornamentation; Credo Symphoniacum;

    Sammanfattning : The dissertation deals with the organ music of Otto Olsson (1879–1964), a leading Swedish organist, church musician, composer, pedagogue, and organ expert in the first half of the 20th century. The aim of the study is to formulate a historical performance practice fro Olsson’s organ music, conceived within a late Romantic performance tradition, which must be regarded as lost. LÄS MER

  2. 2. Matthias Weckmann: the interpretation of his organ music

    Detta är en avhandling från Gehrmans musikförl. [Stockholm]

    Författare :Hans Davidsson; Göteborgs universitet.; Gothenburg University.; [1991]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Matthias Weckmann ca. 1616–1674 ; biography; composer; organist; Germany; Dresden; Hamburg; Denmark; organ works; music analysis; interpretation; historically–informed performance practice; manuscripts;

    Sammanfattning : The dissertation presents an interpretation of the complete organ works of Matthias Weckmann primarily for the performer and in the spirit of historically-informed performance practice. The process of creating this interpretation was documented in writings, recordings, concerts, and a new edition of the free organ works. LÄS MER

  3. 3. Bach, the pedal clavichord, and the organist

    Detta är en avhandling från Göteborg : University of Gothenburg

    Författare :Joel Speerstra; Göteborgs universitet.; Gothenburg University.; [2000]
    Nyckelord :HUMANIORA; HUMANITIES;

    Sammanfattning : .... LÄS MER

  4. 4. Programmert interpretasjon. Serinetten som kilde till 1700-tallets musikalske fremførelsespraksis

    Detta är en avhandling från Göteborg : University of Gothenburg

    Författare :Bjørn A Bratsberg; Göteborgs universitet.; Gothenburg University.; [2014]
    Nyckelord :HUMANIORA; HUMANITIES; serinette; automatic organs; performance practice; Engramelle; Dom Bedos; tonotechnie; unequal notes;

    Sammanfattning : In his famous treatise on organ-building, L'art du facteur d'orgues (1766-78), the French Bénédictine monk, organist and organ-builder Dom François Bédos de Celles devotes a chapter to the procedure of pinning cylinders for automatic organs. The chapter, based on the treatise La Tonotechnie by Dom Bédos' contemporary Joseph Engramelle, Dom Bédos contains detailed descriptions of basic practices of performance, including the precise nature of ornaments, articulation and notes inégales, with the aim of making possible the mechanical reproduction of a good human performance. LÄS MER

  5. 5. Never Heard Before: A Musical Exploration of Organ Voicing

    Detta är en avhandling från Göteborg : University of Gothenburg

    Författare :João Segurado; Göteborgs universitet.; Gothenburg University.; [2015]
    Nyckelord :HUMANIORA; HUMANITIES; voicing; voicing; sound; listening; pipe; organ; tone; musical composition; musical performance; experimental; collaboration; artistic research; ethnography; musique concrète; transient; attack; steady-state; harmonic spectrum; languid; toe-hole; mouth; flue; reed; Studio Acusticum; Gerald Woehl; Piteå;

    Sammanfattning : This study describes the role of organ sounds in musical performance and exa- mines the visions and artistic perspectives of the voicer, who creates the sounds, and the organist, who uses them in performance. Organ pipe sounds are shaped in a process of gradual transformation called voicing, to suit the practice of musical performance, and they influence that practice in significant ways. LÄS MER