Sökning: "auteur"

Visar resultat 1 - 5 av 7 avhandlingar innehållade ordet auteur.

  1. 1. Bo Widerbergs tv-teater / Bo Widerbergs's TV-Theatre

    Författare :Niklas Persson Webjörn; Göteborgs universitet; Göteborgs universitet; Gothenburg University; []
    Nyckelord :HUMANIORA; HUMANITIES; Acting; method acting; realism; auteur; Verfremdungseffekt; Nouvelle Vague; Arthur Miller; Albert Camus; Tennessee Williams; August Strindberg; Henrik Ibsen; Lars Norén; Bengt Bratt; Roland Janson; Elia Kazan; Bertholt Brecht; Jean-Luc Godard; Pierre Bourdieu;

    Sammanfattning : The dissertation analyzes the seven studio produced TV-plays made (1979-1992) by the renown Swedish filmmaker Bo Widerberg. The main focus regards Widerberg’s work method, here referred to as ”The Widerberg method”, which can be described as an acting oriented work method influenced by the American method acting tradition from Hollywood in the fifties, especially the films by Elia Kazan. LÄS MER

  2. 2. Scenes from an Audience : The auteur and the film text in audience experiences: Ingmar Bergman – a case study

    Författare :Jono Van Belle; Maaret Koskinen; Stijn Joye; Gino Verleye; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; historical audience research; film reception; Ingmar Bergman; Sweden; Belgium; heterosexual love and marriage; Scener ur ett äktenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Over the last decades, the new cinema history (NCH) strand has developed within film studies. This new strand moves away from the traditional focus on film texts and instead focuses on cinemagoing as social and cultural phenomenon, and the cinema as a social institution. LÄS MER

  3. 3. The Savage and the Designed : Robert Wilson and Vivienne Westwood as Artistic Managers

    Författare :Clemens Thornquist; Pierre Guillet de Monthoux; Lisbeth Svengren Holm; Chris Steyaert; Stockholms universitet; []
    Nyckelord :art management; design management; design methodology; design; fashion; intuition;

    Sammanfattning : This work deals with the management of systematized and collaborative artistic design processes, driven by an auteur. It is a critique of the dominant design management discourse as it identifies three critical issues in the discourse leading to a dilemma in the management of such a collaborative auteur-driven process, (i) a static and institutionalized concept of identity, (ii) a focus on a predetermined direction, (iii) a predominant employment of deterministic design methods. LÄS MER

  4. 4. L'Expression de la mauvaise conscience dans l'oeuvre de Benjmain Constant

    Författare :André Leblanc; Pierre-Louis Rey; Gérard Gengembre; Michel Delon; Paolo Tortonese; Université Paris-III Sorbonne Nouvelle; []
    Nyckelord :HUMANITIES; HUMANIORA; Benjamin Constant; Remorse; Suffering; Dissimulation; Responsability; Staël; Charrière; Benjamin Constant; Remords; Douleur; Dissimulation; Responsabilité; Staël; Charrière;

    Sammanfattning : L?tude d?un thme transversal comme celui de la mauvaise conscience dans l??uvre de Constant ncessite une mthodologie particulire. Le manque d?homognit des crits de cet auteur disqualifie les approches biographique et gnrique et exige une perspective holistique. LÄS MER

  5. 5. Skenet som bedrog: Mai Zetterling och det svenska sextiotalet

    Författare :Mariah Larsson; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; historiography; nationality; gender; feminism; modernism; 1960s; art cinema; Swedish national cinema; Mai Zetterling; women directors; Cinema theory and history; Filmvetenskap;

    Sammanfattning : Mai Zetterling (1925-1994) was a popular actress in the 1940s. In the 1960s, she directed four feature films. The films ? Loving Couples (1964), Night Games (1966), The Girls (1968) and Dr. LÄS MER