Sökning: "studio art"

Visar resultat 16 - 19 av 19 avhandlingar innehållade orden studio art.

  1. 16. Monsters I Love : On Multivocal Arts

    Författare :Alex Nowitz; Rolf Hughes; Sten Sandell; Åse Tone; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Music; acousmatic and disembodied voice; æsthetics of uncertainty and in-between; composer-performer; contemporary vocal performance art; custom musical instrument DIY ; digital musical instrument DMI ; electronic and electroacoustic music; expanding the field of vocal performance art; extended vocal techniques; extending the voice; gesture-controlled live electronics; improvisation and real-time composition; inclusive vocal performance practises; interactive sound and music; multidirectional listening; multivocality; multivocal voice; new vocality; sampling practises for vocal and musical improvisation; schizophonic practices; sensor-based and computer-based technology; singer-composer; sound art; sound technology; STEIM; strophonion; vocal materiality and liminality; vocal personas; vocal sound dance; wireless technology; Performativa och mediala praktiker; Performative and media based practices; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera;

    Sammanfattning : Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. LÄS MER

  3. 17. ENHEAR : a way of being, a state of mind, a field of enquiry

    Författare :Carolina Jinde; Rebecca Hilton; Anne Gry Haugland; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; enhear; listening; sound engineering; sound studio; film production; sonic centric strategies; collaborative processes; cross disciplinary practices; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;

    Sammanfattning : The term Enhear invites an approach to research, art practice, sound studio and world that is comprehensively aural. It proposes listening as both act and role; listening as a present tense, continual and continuous co-creation of the inter-relational spaces we all share. LÄS MER

  4. 18. Åke Hodell. Art and Writing in the Neo-Avant-Garde

    Författare :Johan Gardfors; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Åke Hodell; neo-avant-garde; concrete poetry; illegibility; archive; conceptual writing; materiality; visual poetry; text-sound-composition; intermedia; technology and writing;

    Sammanfattning : Åke Hodell and the Art of Illegibility provides the first in-depth discussion in English of the concrete poet and neo-avant-garde artist Åke Hodell’s works from the 1960s. Throughout the study, Hodell’s artistic practice is contextualized by way of comparison with examples from the earlier avant-gardes, as well as with contemporaneous writers and artists, indicating how the avant-garde and modernist legacies are preserved and transformed in the works of Hodell. LÄS MER

  5. 19. HÉR! An Exploration of Artistic Agency

    Författare :Halla Steinunn Stefansdottir; Lärare (Musikhögskolan); []
    Nyckelord :HUMANIORA; HUMANITIES; music; sound art; agency; situated actions; ecological; enactive; post-phenomenology;

    Sammanfattning : This doctoral thesis is concerned with agency in the work of a performer, curator, and composer, and how these agencies are socio-culturally constructed. Grounded in creative practice as primary research methodology, the project builds on feedback loops between creation, analysis, and interpretation. LÄS MER