Sökning: "the absurd"

Visar resultat 1 - 5 av 14 avhandlingar innehållade orden the absurd.

1. 1. Den surrealistiska erfarenheten: Upplevelsen. En tolkning av surrealismens åskådning

   Författare :Jan-Gunnar Sjölin; Avdelningen för konsthistoria och visuella studier; []
   Nyckelord :HUMANIORA; HUMANITIES; the future; absence of direct communication. Experience of presence: surprise; transparency; derangement of the senses; unimpeded experience; Experience of absence: waiting and anticipation; being a stranger in front of one s own work; the unknown; the absurd; the new; incomprehensibility; le jamais vu ; absence of expression; special meaning. Experience of latent or hidden meaning: meaning as unknown; special order and logic; the unaccountable reactions; as latent; experience of fear; as unconscious; obstacles to the experience of manifest meaning; absence of latent or hidden meaning; as hidden; mystery versus mystification; nature of special meaning; symbolism. Experience of meaning as manifest: enigmas; the inaccessible and the inexpressible. True experience of meaning: the golden age; manifest nature of meaning; immaculate experience; privileged moments; preconditions of true experience; illumination; revelation;

   Sammanfattning : The purpose of the study is to offer an interpretation of surrealism as lived experience or, more exactly, an interpretation of the ways in which the Surrealists themselves respond to and conceive of this experience. Thus, emphasis is put on surrealism as event and process, not as a historically limited phenomenon. LÄS MER

3. 2. Shakespearean parallels and affinities with the Theatre of the absurd in Tom Stoppard's Rosencrantz and Guildenstern are dead

   Författare :Anja Easterling; Umeå universitet; []
   Nyckelord :Stoppard; Tom; Rosencrantz and Guildenstern Are Dead; Hamlet; Beckett; Samuel; Waiting for Godot; Pinter; Harold; The Caretaker; The Theatre of the Absurd; absurd drama; cliché;

   Sammanfattning : The study elucidates the relation of Tom Stoppard's play Rosencrantz and Guildenstern Are Dead to Hamlet on the one hand and to the Theatre of the Absurd on the other. The two plays chosen to represent the Theatre of the Absurd are Samuel Beckett1 s Waiting for Godot and Harold Pinter* s The Caretaker. LÄS MER

4. 3. Nervositeten kommer utifrån. Om Erik Beckmans tidiga författarskap : The Nervousness Comes From Without. On the Early Works of Erik Beckman

   Författare :Christer Ekholm; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Erik Beckman; idea analysis; repertoire aesthetics; informalism; pragmatic poetics; critique of conventions; Platonic idealism; Lars Ahlin; the Swedish 1960 s;

   Sammanfattning : Erik Beckman has a reputation of being a difficult author, verging on the incomprehensible. The point of departure in this study of his early writings, from the 1961 poem "Kärleksdikt under morotsträd" ("Love Poem Beneath Carrot-Tree) to the 1965 novel "Hertigens kartonger" ("The Duke's Cartons") is a hermeneutic problemizing of the description of him as an unreadable writer. LÄS MER

5. 4. "Här kan jag äntligen tala" : tematik och litterär gestaltning i Åsa Nelvins författarskap

   Författare :Marie Öhman; Lars-Åke Skalin; Birgit Antonsson; Birgitta Bergsten; Inger Littberger; Örebro universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Åsa Nelvin; existentialism; modernism; lyrical strategies; the absurd drama; autobiography.; Literature; Litteraturvetenskap; Litteraturvetenskap; Literature;

   Sammanfattning : The subject of this thesis is Swedish author Åsa Nelvin’s writings. Five books are at the center of attention: The children’s books De vita björnarna (“The White Bears”) (1969) and Det lilla landet (“The Little Country”) (1971), the two novels Tillflyktens hus (“The House of Refuge”) (1975) and Kvinnan som lekte med dockor (“The Woman who played with dolls”) (1977), and the cycle of poems Gattet (“The Inlet”) (1981). LÄS MER

7. 5. Il soggetto corporale nella narrativa di Paolo Volponi

   Författare :Igor Tchehoff; Luminitza Beiu-Paladi; Bengt Novén; Emanuele Zinato; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Volponi; Memoriale; Corporale; Il sipario ducale; narrative body; corporal subject; Marcuse; Bakhtin; Kristeva; Peter Brooks; carnivalesque; abjection; chronotope; Italian language; Italienska språket; italienska; Italian;

   Sammanfattning : This thesis offers an interpretation of three novels by Paolo Volponi (1924-1994), focusing on the representation of the human subject. The analysis shows how this representation is centred on the experiences of the body, which becomes the true subject that acts and explores the world. LÄS MER