Sökning: "historical phenomenology"

Visar resultat 1 - 5 av 41 avhandlingar innehållade orden historical phenomenology.

1. 1. Historien som fiktion : gymnasieelevers erfarande av spelfilm i historieundervisningen

   Författare :Maria Deldén; Monica Reichenberg; Carola Nordbäck; Silwa Claesson; Umeå universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; history didactics; film reception; phenomenology; lifeworld approach; historical feature film; historical thinking; historical empathy; historiedidaktik; filmreception; fenomenologi; livsvärldsansats; historisk spelfilm; historiskt tänkande; historisk empati; historia med utbildningsvetenskaplig inriktning; history of education; Utbildning och lärande;

   Sammanfattning : The present study explores the reception of historical feature films in history education. It is concerned with how pupils experience the films as well as the significance of the feature film for their understanding and interpretation of history. LÄS MER

3. 2. Critical Thinking in Scholarship: : Meanings, Conditions and Development

   Författare :Eva Brodin; Lennart Svensson; Åsa Lindberg-Sand; Pedagogik; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; critical thinking; scholarship; higher education; hermeneutic phenomenology; epistemology; educational philosophy; history of philosophy; Education; Pedagogik; Theory of science; Vetenskapsteori; Pedagogik; Pedagogics; Pedagogy and didactics; Phenomenology; Hermeneutic Phenomenology; Higher Education; Critical Thinking; Scholarship; Fenomenologi; Pedagogik; didaktik;

   Sammanfattning : The purpose of this thesis is to explore the phenomenon of critical thinking in scholarship as regards its meanings, conditions, and development using a hermeneutic phenomenological approach. This exploration takes its departure in ancient Greece, following a historical movement of the phenomenon up to present day perspectives on critical thinking, revealing a range of different meanings and conditions. LÄS MER

4. 3. Everyday life in avant-garde housing estates : A phenomenology of post-Soviet Moscow

   Författare :Alexander Kalyukin; Irene Molina; Tom Mels; Tim Cresswell; Uppsala universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; built environment; housing; everyday life; avant-garde architecture; humanistic geography; phenomenology; Henri Lefebvre; post-Soviet city; Moscow; Russia; Social and Economic Geography; Kulturgeografi;

   Sammanfattning : This thesis explores the social meaning and function of what is known as avant-garde, or constructivist, housing estates located in central Moscow. Five of these estates – Budenovsky, Dubrovka, Khavsko-Shabolovsky, Nizhnyaya Presnya and Usachevka – comprise the empirical foci of the study. LÄS MER

5. 4. Homelands Lost and Gained : Slavic Migration and Settlement on Bornholm in the Early Middle Ages

   Författare :Magdalena Naum; Historisk arkeologi; []
   Nyckelord :HUMANIORA; HUMANITIES; migration; historical archaeology; Bornholm; Western Slavs; everyday; ritual practice; body; identity construction; memory; agency; phenomenology; practice theory;

   Sammanfattning : This doctoral thesis examines early medieval Slavic migration to the island of Bornholm (Denmark). With a combination of interdisciplinary theories and approaches, which focus on human translocation and memory and identity construction, a holistic approach to the studies of migration in archaeology is proposed. LÄS MER

7. 5. Figures of time : on the phenomenology of cinema and temporality

   Författare :Malin Wahlberg; Michael Renov; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film theory; phenomenology; aesthetic theory; temporality; duration; speed; photography; city film; documentary; experimental cinema; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

   Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER