Sökning: "film reception"

Visar resultat 1 - 5 av 32 avhandlingar innehållade orden film reception.

  1. 1. Framing the Feature Film : Multi-Reel Feature Film and American Film Culture in the 1910s

    Författare :Joel Frykholm; Jan Olsson; Richard Abel; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; multi-reel feature film; cinema in the 1910s; early cinema; United States; film culture; Philadelphia; The Spoilers; transitional cinema; journalism; trade press; Film; Filmvetenskap; filmvetenskap; Cinema Studies;

    Sammanfattning : This dissertation addresses the breakthrough of the multi-reel feature film in the United States, and the significance of this process within the wider context of the American film industry and culture in the 1910s. The purpose is to provide a new, and more comprehensive analytical framing of the topic, and to enhance our understanding of how a new central commodity, i. LÄS MER

  3. 2. Beauty Box : Filmstjärnor och skönhetskultur i det tidiga 1900-talets Sverige

    Författare :Therése Andersson; Astrid Söderbergh-Widding; Ann-Kristin Wallengren; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Filmstjärnor; mode; make-up; skönhet; performans; teknologier; genuskonstruktion; modernitet; reception; transnationella relationer; populärpress; Filmjournalen; reklam; konsumism; emancipation; individualitet; fysionomi; Film; Filmvetenskap;

    Sammanfattning : The object of this dissertation is the relationship between film, fashion and beauty concerning different understandings of femininity, with reference to the establishment of the star system and the making of celebrity culture, and how these were expressed through magazines and commercial ads in early 20th century Sweden. The period of time framing the discussion, from fin-de-siècle and onwards with specific focus on the 1920s and 1930s, corresponds to the course of publication of the Swedish magazine Filmjournalen. LÄS MER

  4. 3. Musicalized Characters : A study of music, multimodality, and the empiric child perspective on mainstream animation

    Författare :Signe Kjaer Jensen; Jørgen Bruhn; Kirsten Drotner; Anahid Kassabian; Birger Langkjær; Linnéuniversitetet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Animation; music; children; interview; reception; film music; characters; audiences; multimodality; Musikvetenskap; Musicology; Film Studies; Filmvetenskap; Media and Communication Science; Medie- och kommunikationsvetenskap;

    Sammanfattning : This thesis is an audience reception study of film music and animation film. It focuses on the musical construction of characters, looking at how music becomes meaningful in film and how this meaning becomes part of child audiences' interpretation of filmic characters. LÄS MER

  5. 4. Modern Media, Modern Audiences : Mass Media and Social Engineering in the 1930s Swedish Welfare State

    Författare :Ylva Habel; Soveig Julich; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Visuell kultur; urbanitet; kvinnor; mediehistoria; reception; välfärdsstaten; Film; Filmvetenskap; filmvetenskap; Cinema Studies;

    Sammanfattning : The dissertation straddles the interface of mass media, social engineering and advertising in 1930s Stockholm. Its twofold objective is firstly to outline their cultural output, targeting predominantly feminine audiences. LÄS MER

  7. 5. The Coming of Sound Film in Sweden 1928-1932 : New and Old Technologies

    Författare :Christopher Natzén; Maaret Koskinen; Bo Florin; Kevin Donnelly; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; coming of sound film; formative music; cinema in the 1920s; Sweden; intermediality; cinema musicians; Svensk Filmindustri; trade press; cinema as event; internal logic of perception; external logic of perception; advertisement; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines the coming of sound film in Sweden during the years 1928–1932, and the reception of mechanically recorded sounds both in the trade press and among audiences. The novelty of sound film opened up for a negotiation of the perception of sound and image, as it made visible the film medium’s technological construction, before this visibility was once more absorbed by the cinematic discourse. LÄS MER