Sökning: "art historiography"

Visar resultat 21 - 25 av 31 avhandlingar innehållade orden art historiography.

  1. 21. Women's Human Rights and Islam : a Study of Three Attempts at Accommodation

    Författare :Jonas Svensson; Centrum för teologi och religionsvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; Islamology; History of Religions; Islam; human rights; women’s human rights; Women’s Convention; CEDAW; gender; globalisation; Qur’an; hadith; historiography; Riffat Hassan; Fatima Mernissi; History; Abdullahi Ahmed an-Na‘im.; Historia; Non-Christian religions; Världsreligioner ej kristendom ; Mänskliga rättigheter;

    Sammanfattning : The dissertation focuses on interpretations of Islam that claim compatibility with international human rights norms in the context of women’s rights. These interpretations are seen as parts of an on-going contemporary international debate on women’s human rights and Islam that engages Muslims as well as non-Muslims. LÄS MER

  2. 22. Det historiska fältet : Svensk historievetenskap från 1920-tal till 1957

    Författare :Ulf Håkan Gunneriusson; Frank Meyer; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; History; Historiography; Social Networks; Pierre Bourdieu; University History; Professors; Historia; Historiografi; Sociala nätverk; universitetshistoria; professorer; History subjects; Historieämnen; Historia; History;

    Sammanfattning : The present dissertation deals with the way in which social networks were used in order to affect Swedish Historical Science during a period of time stretching from the nffom’s to the nffrm’s. The applied perspective is inspired partly by the field analyses of French sociologist Pierre Bourdieu, and partly by the latest research concerning qualitative social networks. LÄS MER

  3. 23. Lek med lust : 'Theatertanz', genusaspekter och historieskrivning

    Författare :Eva Lundgren; Willmar Sauter; Eva Helen Ulvros; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Julian Algo; danshistoria; svensk-tyska kulturrelationer; genus; modernism; antisemitism; historiografi; Theatre; Teatervetenskap;

    Sammanfattning : This dissertation treats the choreographic works of Julian Algo (1899-1955), a ballet master in the Royal Opera house in Stockholm 1931-1952, whose experience and education were from Theatertanz, and Swedish dance history about his works. Theoretically it is inspired by post-modern historiography (Jenkins, Munslow, White), queer theory (Sedgwick, Doty, Rosenberg) and research about masculinities in dance (Burt). LÄS MER

  4. 24. Battlefields of memory : The Macedonian conflict and Greek historical culture

    Författare :Erik Sjöberg; Daniel Lindmark; Mohammad Fazlhashemi; Antonis Liakos; Klas-Göran Karlsson; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Greece; history; 20th century; historical culture; uses of history; Macedonian question; historiography; nationalism; genocide; identity politics; Grekland; historia; 1900-talet; historiekultur; historiebruk; den makedonska frågan; historiografi; nationalism; folkmord; identitetspolitik; historia; History; Makedoniska frågan; Macedonian question; Nordmakedonien; Grekland;

    Sammanfattning : In 1991, a diplomatic controversy arose between Greece and the newly independent Republic of Macedonia, regarding naming, minority rights and the use of historical symbols. The claims of the new state to the name Macedonia and the historical heritage associated with it were perceived as a threat against Greek national identity and history itself. LÄS MER

  5. 25. Les sacres : en socio-kulturell analys av tio versioner av ett Våroffer

    Författare :Katarina Lion; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; reconstruction; original; hierarchies; dance history; colonialism; primitive; the other; rite.; teatervetenskap; Theatre Studies;

    Sammanfattning : The purpose of the dissertation is to bring to light and focus upon, through a number of disparate investigations, the socio-cultural ideology and practices expressed in some of the dance events which constitute an echo of the cry implied by the most canonized ballet of the 1900s, Le Sacre du Printemps choreographed in 1913 by Vaslav Nijinsky. The study commences with a discussion, which aims to define key concepts such as "reconstruction" and "original". LÄS MER