Sökning: "political theatre"

Visar resultat 21 - 25 av 38 avhandlingar innehållade orden political theatre.

  1. 21. Meningsfulla förflutenheter : Traditionalisering och teatralisering i en klosterruin

    Författare :Bodil Axelsson; Ann-Carita Evaldsson; Raoul Granqvist; Linköpings universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; time; space; heritage politics; tradition; performance; talk-in-interaction; gestures; community theatre; amatörteater; friluftsteater; Alvastra; INTERDISCIPLINARY RESEARCH AREAS; TVÄRVETENSKAPLIGA FORSKNINGSOMRÅDEN;

    Sammanfattning : The major objective of this thesis is to study the processes of traditionalisation that are being enacted in relation to both the external and internal production of the play "The Power and the Glory" that has been performed in Alvastra Abbey ruin since 1988. During three weeks in July the ruins and their environs are transformed into a rehearsal area, and a live stage, with lay actors performing different roles, a supporting staff and an audience. LÄS MER

  2. 22. Les sacres : en socio-kulturell analys av tio versioner av ett Våroffer

    Författare :Katarina Lion; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; reconstruction; original; hierarchies; dance history; colonialism; primitive; the other; rite.; teatervetenskap; Theatre Studies;

    Sammanfattning : The purpose of the dissertation is to bring to light and focus upon, through a number of disparate investigations, the socio-cultural ideology and practices expressed in some of the dance events which constitute an echo of the cry implied by the most canonized ballet of the 1900s, Le Sacre du Printemps choreographed in 1913 by Vaslav Nijinsky. The study commences with a discussion, which aims to define key concepts such as "reconstruction" and "original". LÄS MER

  3. 23. The Sensational Body : A Spectatorial Exploration of the Experience of Bodies on Stage in Circus, Burlesque and Freak Show

    Författare :Jonas Eklund; Meike Wagner; Camilla Damkjær; Helen Stoddart; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; circus; new circus; contemporary circus; burlesque; neo-burlesque; boylesque; freak show; sideshow; bodies; phenomenology; spectatorship; popular culture; performance analysis; autoethnography; experience; body mind; Theatre Studies; teatervetenskap;

    Sammanfattning : At the end of the 20th century, the three genres circus, burlesque, and freak show were revived after a long period of decline. Seemingly something in the genres still has a strong appeal to the spectators. LÄS MER

  4. 24. "Emellan oss" : om de svenska uppsättningarna av Witold Gombrowicz Vigseln

    Författare :Janina Ludawska; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Gombrowicz; Witold; 1904-1969. Vigseln; Skådespelarkonst-- Sverige -- 1900-talet; Scenografi-- Sverige -- 1900-talet;

    Sammanfattning : The title ”Between Ourselves” alludes to one of the most important problems in Witold Gombrowicz's writings which finds full expression in his drama ”The Wedding” - that our thoughts and actions arise between us without our knowing where they will lead us. My study is concerned with productions of this drama in Sweden. LÄS MER

  5. 25. Nordisk teater i Montevideo : Kontextrelaterad reception av Henrik Ibsen och August Strindberg

    Författare :Louise von Bergen; Göran Rossholm; Macotinsky Oscar; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; translation studies; reception; hermeneutics; August Strindberg; Henrik Ibsen; Scandinavian drama in Montevideo; Scandinavian drama in the Río de la Plata; Swedish drama in Uruguay; Norwegian drama in Uruguay; Literature; Litteraturvetenskap;

    Sammanfattning : The primary purpose of this dissertation is to study the dialogue between the Scandinavian drama and the Uruguayan theatre; how drama from Scandinavia has been received in the Río de la Plata during the last hundred years; how it has been adapted and activated to be meaningful to the audience; how it has been integrated within the Uruguayan theatre and society and how the play changes with that new dialogue. As this is the first study of Scandinavian plays in Uruguay a secondary purpose is to document what has been put on stage; fifty-three productions, ninety percent of which were plays by Henrik Ibsen and August Strindberg. LÄS MER