Sökning: "political theatre"

Visar resultat 11 - 15 av 38 avhandlingar innehållade orden political theatre.

  1. 11. Suriashi as Experimental Pilgrimage in Urban and Other Spaces

    Författare :Ami Skånberg Dahlstedt; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Suriashi; Slow Walking; Gendered Walking; Japanese dance; Nihon Buyō; Postmodern dance; Japanese theatre; Nō theatre; Practice-led research; Artistic research; Intercultural dance; pilgrimage; critical heritage; screendance;

    Sammanfattning : This practice-led PhD-thesis draws on an existing Japanese movement practice called suriashi, which translates as sliding foot. Suriashi is a specific gender codified walking technique in classical Japanese dance and theatre, and an important method for acting on stage. LÄS MER

  3. 12. Mediated Post-Soviet Nostalgia

    Författare :Ekaterina Kalinina; Johan Fornäs; Staffan Ericsson; Vlad Strukov; Södertörns högskola; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; structure of feeling; nostalgia; memory; past; Russia; Post-Soviet; mediation; television; fashion; internet; theatre; museums; restaurants.; Kritisk kulturteori; Critical and Cultural Theory; Östersjö- och Östeuropaforskning; Baltic and East European studies;

    Sammanfattning : Post-Soviet nostalgia, generally understood as a sentimental longing forthe Soviet past, has penetrated deep into many branches of Russian popular culture in the post-1989 period. The present study investigates how the Soviet past has been mediated in the period between 1991 and 2012 as one element of a prominent structure of feeling in present-day Russian culture. LÄS MER

  4. 13. I naturens teater : Kultur- och miljösociologiska analyser av naturhistoriska utställningar och filmer

    Författare :Anna Samuelsson; Hedvig Ekerwald; Nina Lykke; Uppsala universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; exhibitions; nature culture-dualism; museums of natural history; cultural environmental studies; museology; environmental sociology; deconstruction; human-animal-relations; andro- and anthropocentric stereotyping; semiotics; discourse analysis; rhetoric; display; representation; climate change.; Sociology; Sociologi; Sociologi; Sociology; Idé- och lärdomshistoria; History of Sciences and Ideas;

    Sammanfattning : This thesis is a study of constructions of reality in visual and textual representations in current exhibitions in the Swedish Museum of Natural History in Stockholm with comparisons to the Natural History Museum in Gothenburg and minor excursions to other museums. The study also includes seven giant screen films in Cosmonova: an IMAX theatre which is part of the Swedish Museum of Natural History. LÄS MER

  5. 14. I väntan på hufvudpersonen : Identitet och identifikation i svensk skämtbild 1870-1900

    Författare :Elisa Rossholm; Jeff Werner; Inga Sanner; Øystein Sjåstad; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; humour; identity; social cartoon; caricature; hegemony; masculinity; gender; bourgeois; drawing; nineteenth century; satirical press; ambivalence; repetition; theatre; Judith Butler; Albert Engström; Oskar Andersson; konstvetenskap; Art History;

    Sammanfattning : In the decades around 1900, political and social cartoons flourished in humour and satire magazines in the Swedish capital. The thesis presents a new theoretical start on the nature of humour in cartoons: the idea of the comical is argued as effects of reality notions and bracketing reality notions. LÄS MER

  7. 15. Performing Power : The Political Masks of King Gustav III of Sweden (1771-1792)

    Författare :Maria Berlova; Willmar Sauter; Roland Lysell; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Gustav III; theatricality; theatrical playing; staging; pageant; performative communication; Theatre Studies; teatervetenskap;

    Sammanfattning : King Gustav III founded the Swedish National Theater and Opera, participated in the court theater as playwright, director and actor and he was rightly called the Theater King. The King’s passion for acting was perceived in the past as a psychological weakness, which won him the appellation of wimp (fjant). LÄS MER