Sökning: "organ music"
Visar resultat 6 - 10 av 20 avhandlingar innehållade orden organ music.
6. Rich in Nuances: a Performance-Oriented Study of Otto Olsson’s Organ Music
Sammanfattning : The dissertation deals with the organ music of Otto Olsson (1879–1964), a leading Swedish organist, church musician, composer, pedagogue, and organ expert in the first half of the 20th century. The aim of the study is to formulate a historical performance practice fro Olsson’s organ music, conceived within a late Romantic performance tradition, which must be regarded as lost. LÄS MER
7. 'This heaving ocean of tones': nineteenth-century organ registration practice at St Marien, Lübeck
Sammanfattning : The dissertation deals with German nineteenth-century registration practice with the example of St Marien, Lübeck. The time investigated covers almost one hundred years, from 1834 until 1929 and the tenures of two organists, Hermann Jimmerthal, a student of Mendelssohn, and Karl Lichtwark, a student of Jimmerthal. LÄS MER
8. Programmert interpretasjon. Serinetten som kilde till 1700-tallets musikalske fremførelsespraksis
Sammanfattning : In his famous treatise on organ-building, L'art du facteur d'orgues (1766-78), the French Bénédictine monk, organist and organ-builder Dom François Bédos de Celles devotes a chapter to the procedure of pinning cylinders for automatic organs. The chapter, based on the treatise La Tonotechnie by Dom Bédos' contemporary Joseph Engramelle, Dom Bédos contains detailed descriptions of basic practices of performance, including the precise nature of ornaments, articulation and notes inégales, with the aim of making possible the mechanical reproduction of a good human performance. LÄS MER
9. Matthias Weckmann: the interpretation of his organ music
Sammanfattning : The dissertation presents an interpretation of the complete organ works of Matthias Weckmann primarily for the performer and in the spirit of historically-informed performance practice. The process of creating this interpretation was documented in writings, recordings, concerts, and a new edition of the free organ works. LÄS MER
10. 'A passable and good temperament': a new methodology for studying tuning and temperament in organ music
Sammanfattning : Playing Johann Sebastian Bach's organ chorale O Lamm Gottes, unschuldig (BWV 656) on an organ tuned according to a historic temperament raises questions about the role of temperament in organ music. From the interpreters point of view it would be desirable to be able to compare different temperaments effect on the music, and based on that draw conclusions about the temperaments role in the interpretative process. LÄS MER
