Sökning: "art as emancipation"

Visar resultat 6 - 10 av 10 avhandlingar innehållade orden art as emancipation.

  1. 6. Å andras vägnar : LL-boken som litteratur-, kultur- och handikappolitiskt experiment : en kommunikationsstudie

    Författare :Karin Wennström; Linköpings universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Easy Readers; Easy-to-Read Books; Cultural Policy; Handicap; Literary sphere; Communication; Sociology of Literature; Publishing; Readeradaptation; Narrative genres; Emancipation; Pedagogy; INTERDISCIPLINARY RESEARCH AREAS; TVÄRVETENSKAPLIGA FORSKNINGSOMRÅDEN;

    Sammanfattning : Easy Readers (ER) are books specially designed for adults with reading disabilities. Wellknown classics ought to be available in easily comprehended versions. This idea, originaly from the 1930s has becomea special element in the literary and cultural life of Sweden since it's inception in the 1960s. LÄS MER

  3. 7. Contextualizing Entrepreneurship and Gender : A Life-Story Approach to Rural Family Businesses in Sweden

    Författare :Shqipe Gashi Nulleshi; Selcen Ozturkcan; Ethel Brundin; Deema Refai; Linnéuniversitetet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Rural Entrepreneurship; Gender in Entrepreneurship; Context; Proximity; Agency; Emancipation; Rural Family Businesses; Life-story; Contextualizing; Business administration; Företagsekonomi;

    Sammanfattning : Entrepreneurship has gained increasing attention as a strategic area for rural development. Addressing environmental, demographic, and gender inequality challenges in rural areas requires contextualizing entrepreneurship. LÄS MER

  4. 8. Vägen till parnassen: En sociologisk studie av kvinnligt konstnärskap i Sverige 1864-1939 : The Path to Parnassus: A sociological study offemaie artists in Sweden, 1864-1939

    Författare :Iréne Winell-Garvén; Göteborgs universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Bourdieu; female artists; canons; consecration; art history writing; feminist art research.;

    Sammanfattning : This thesis clarifies how female artistry in Sweden is constructed, ptimarily with the help of Pierre Bourdieu' s key concepts (habitus)(capital )+field=practice, and chiefly through three institutions: art collecting, art history writing, and art criticism. The period covered is 1864-1939 with a background trom the early 1800s and a view forward to the year 2000. LÄS MER

  5. 9. Between Colonialism and Nationalism : Art, History, and Politics in James Joyce’s Ulysses

    Författare :Irina Rasmussen Goloubeva; Ishrat Lindblad; Richard Brown; Emer Nolan; Uppsala universitet; []
    Nyckelord :English language; James Joyce; aesthetics; modernism; negativity; the modernist Sublime; modernity; liberalism; colonialism; nationalism; dialectical criticism; Hegel; Adorno; Rose; Jameson; Žižek; Engelska;

    Sammanfattning : Through a thorough analysis of all eighteen episodes of Ulysses, this study advances a dialectical reading of Ireland’s pre-revolutionary imagination as it unfolds in James Joyce’s novel. By tracing Joyce’s engagements with British colonialism, national romanticism and the Celtic Revival, this study views Joyce’s modernist project as a comprehensive literary response to Ireland’s changing aesthetic sensibilities, political fortunes, and social concerns. LÄS MER

  7. 10. Die Trompete als Soloinstrument in der Kunstmusik Europas seit 1900 mit besonderer Berücksichtigung der Entwicklung ab 1980 am Beispiel der Solisten Håkan Hardenberger, Ole Edvard Antonsen und Reinhold Friedrich

    Författare :Verena Jakobsen Barth; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Trumpet; solo instrument; solo repertory; solo concerto; Maurice André; Ole Edvard Antonsen; Reinhold Friedrich; Heinz-Karl Gruber; Håkan Hardenberger; Helge Iberg; Willi Liebe; Adolf Scherbaum; Eduard Seifert; Caspar Johannes Walter; Aerial; Dromo Dance; Vier Stücke gegen den Stillstand;

    Sammanfattning : This dissertation focuses on the historical causes for the development in acceptance of the trumpet as a solo instrument from the beginning of the twentieth century, when as a solo instrument it was played mainly in the entertainment genre, to the present day, where it is respected and used more and more in the field of ‘art music’. The starting point is the instrument’s ambiguous position and the resulting tension: on the one hand it is laden with the out-dated symbolic content of an earlier royal culture, and on the other hand it is associated with nineteenth-century light entertainment. LÄS MER